Definition
Whatisthevisualsystem?ThevisualdepartmentoriginatedinJapan.Afterseveralyearsofnetworkcommunicationandinternationalexchanges,youngChinesefriendsgraduallylearnedaboutthevisualdepartmentonmajorvideowebsites,blogs,etc.Fromtheperspectiveofliveperformances,JapanesevisualmusicmeansvisuallyCangiveastrongimpact.Ofcourse,itisnotonlyformusic,butthevisualeffectismorethanjustmakeup.Itrequiresboththecontentofthemusicandthemeaningofthelyricstobeexpressedfromthemakeupeffectofitsown.Avisualband'sliveperformance,stageinstallationandlightingeffectsarealsodifferentfromordinarybands.
Zjednodušeně řečeno, vizuální oddělení je hudební skupina, která se zaměřuje na vizuální efekty.
ManypeoplethinkthatthevisualdepartmentisanewmusicschoolthatemergedinJapanintheearly1990s.Infact,musicsimilartothevisualdepartmentexistedasearlyasthesixtiesandseventies,likegorgeousrock.Fromatheoreticalbasis,gorgeousrockcanbecalledthepredecessorofthevisualdepartment,becausetheyhavecommoncharacteristics:thickandenchantingmakeup,clothingthatisbeyondordinarypeople’sknowledge,self-consciousness,self-pity,provocativeperformance,andartrelatedtotheschool.Advocate.
Rock
TheearlyEnglishnamewasVisualShock.ItoriginatedinEuropeandAmericainthe1970sandwasdevelopedinJapan.Theconceptofvisualsystem"VR"wasputforwardbythebandX[renamedXJAPANin1992,originallyXfromJapan].TheoriginalwordsarefromthefullnameofX"PsychedelicViolenceCrimeofVisualshock"Coming.Visualrockisproducedonthebasisoftheprogressofthetimes,andpeoplearenolongerlimitedtoauditorysatisfactionandpursuevisualimpact.Thedevelopmentofscienceandtechnology,andthepopularizationoftelevisions,videorecorders,andDVDplayershavealsopromotedthearrivalofvisualimpact.Thevisualdepartmentusescostumesandmakeuptoexpressmusic.Thebandoftendyesdifferenthaircolorsandwearsunusualcostumes.Inthesebands,thereareoftenoneortwomemberswearingfemininecostumes.Fromamusicalpointofview,VISUALROCKistheinheritanceanddevelopmentofEuropeanandAmericanANDROGYNOUS(yinandyangrock),GLITTERROCK(gorgeousrock),andTHEEATER(exaggeratedrock).Forexample,X-JAPANisdeeplyinfluencedbytheexaggeratedrockKISSandband,andSHAZNA’sIZAMmakeupisalsoduetotheworshipofANDROGYNOUS’sBAYGEORYE.RepresentativesofEuropeandAmericainclude"GeorgeBoy"andsoon.Thevisualdepartment(Japanese:ヴィジュアルdepartment)isatypeoforchestradevelopedfromJapaneserock.ThenameVisualDepartmenthasnothingtodowithanymusicgenre.Itisusedtorefertobandswithexaggeratedcostumesandmakeup.InJapan,almostallfansofthevisualdepartmentarecomposedofyounggirls.Inothercountries,thenumberofvisualfansisrelativelysmall,andtheratioofmaletofemaleisroughlythesame.
Japanisthemostfertilesoilforvisualrockandroll.TheJapaneseVisualDepartmentwasestablishedinthelate1980sundertheinfluenceofEuropeanandAmerican"GlamRock"andtheNewWave.ItcanbesaidthattheyhavelearnedtheessenceofEuropeanandAmericanvisualdepartments.Notonlyaretheybolderandmorecharming,butthequalityoftheirmusicisbynomeansthelevelofwisdom,whetheritistheorchestration,arrangement,creativespiritandcommercialoperation,theJapaneseTheyareallbetter.
ThemembersoftheVisualDepartmentusuallyhaveeye-catchingmakeup,exaggeratedhairstyles,andelaboratecostumes.Althoughthevastmajorityofvisualensemblesaremen,theircostumesandmakeupareoftenconsideredfeminine.Costumeelementsareveryattractivetomusicfans.Therearealargenumberofgirlswhowillcosplaytheirfavoriteorchestra,especiallyatconcertsinJapanorattheAmericananimationexhibition.
Vzhledem k tomu, že vizuální systém se zaměřuje na vizuální styl, je to typ pro více než typ hudby. Většina vizuálních orchestrů následuje po trase japonské skály (například LUNASEA (Direngrey), popmusic nebo světlého rocku (například GLAY, Gackt)). SynthPop, punk atd. Z pohledu ze zahraničí většina vizuálních orchestrů sleduje určitou "rockandrollovou" cestu.
WesternobserverssometimesItwillconfusethevisualdepartmentandtheGothicband,becausethecostumesofthetwoareoccasionallysimilar.However,mostJapaneseGothicfansdonotregardthevisualdepartmentaspartoftheGothic,andbetweenthevisualdepartmentandtheGothicThereisverylittleculturaloverlap,exceptfortheGothicLoriwhoisinfluencedbyGothicculture.
MostoftheriseofthevisualsystemistheXJAPAN.However,whenXbecamefamous,theuseofvisionShockingtoattractthemassesgraduallybecameatrendatthetime;fromthisperspective,Xisnotsomuchtheleaderofthevisualtrend,asitisthattheypresentthemainstreamJapanesepopcultureatthetime.The1990sbandssuchasDieinCries,YueThesea,ZI:KILL,ShaznaandBaiserplusthepreviousbandsBUCK-TICKandX-JAPANcontributedtotheexplosionofthevisualsystem.
Music
VisualmusicismorethanjustItisrockmusic,andthetypesareactuallyverydiverse.Forexample:poprock,heavymetal,gothicrock,classical/baroquemusic,etc.,thereareshadowsofthevisualsystem.VisualbandsarenotinthemainstreaminEuropeandAmerica,althoughtheyaremoreinJapan.Prosperous,butafterattractingtheattentionofmajorrecordcompanies,manyvisualbandsgraduallybrokeawayfromthevisualdepartmentandevolvedintomainstreambands,andthevisualdepartmentbecametheirtoolforgrandstanding.AuthenticvisualmusicshouldbeItistheclosecombinationofcostumesandmusictypes,andtheexaggeratedshapesshouldnotonlyservethemusic,butshouldbeintegrated.InthecurrentHIP-HOP,R&Bmainstreammusicscene,visualenjoymentisjustasign,discoverThebeautyofitsmusicessenceisthemostimportant.
V Japonsku
Pozadí
Vizuální systém je na japonské hudební scéně podobný. Jen málo zpěváků.
Thereasonisthat,firstofall,Japanhashada"monsterworship"mentalityand"geisha"sinceancienttimes.Thelong-standingNoharthasgiventheJapanesevisualsystemThegorgeousandseductiveinspirationofrockandrollhasitshistoricalrootsinacceptance;secondly,youngpeopleinJapanpursuefreshexcitement,especiallyyoungwomen,whopursuecompetitiveproducts.Theappealofseductivevisualartistsisself-evident.Yu.ImitatingvisualartistscanmakethemthemostdazzlingandcoolestfocusinHarajukuandShibuya;again,thepressureoftheJapaneseisthefirstintheworld,andthepressureoftheyoungergenerationcomesfromschools,families,societyandotheraspects,rockmusicjustItisanidealtoolforthemtoescapeandvent.IntheearlystageofJapan'sdevelopment,thevisualsystemwasdividedintotwocategories:"DemonSchool"and"AestheticSchool".Atpresent,theorientationoftheJapanesevisualsystemrockbandtendstobediversified.
BlackGoldFuneral-2015-HasegawaAyumiJaponskoVisualRepresentative(19 fotografií)
BirthandDevelopment
Now,JapanhasappearedRockbands,especiallyvisualrockbands,areverypopular.Theyexpresstheirviewsonmusicwithexaggeratedmakeupstylesandwildandintensestageperformances.Theconcertisthebestoccasionforthosevisualrockbandstointerprettheirmusicalworld.
Attheendofthe1970s,"GorgeousRock"representedbyDAVIDBOWIEappearedinEuropeandAmerica.Gorgeousrockintroducesvisualelementsintorock,andischaracterizedbygorgeousdressandliveperformance.Intheearly1980s,abandcalledX(renamedX-Japanin1992)appearedinChiba,Japan.TheyinheritedtheheavymetalstyleofEuropeandtheUnitedStatesinthe1980s,andatthesametime,theylearnedfromtheheavymakeupofEuropeanandAmericanrockanddevelopeditintoauniquestylingaestheticalongwiththenationalcharacterofJapan.Fromthenon,the"visualsystem"wasborn.Afterthat,thevisualdepartmentgraduallydevelopedandexpandedinJapan,andthegenreofmusicbecamemoreandmorediversified.TheuniqueaestheticsandunconventionalvisualeffectsofthevisualdepartmentbecameabrightcolorintheJapanesemusicindustry,whichgavetheJapaneserockindustryagreatimpactandwonThefavorofcountlessfans.
LunaSea,MaliceMizer,DirEnGrey...Theemergingvisualbandsnotonlyreachahighlevelofmusicality,buttheyalsointegratetheirownpersonalityintotheshapeanddress,showingadeepconceptbeyondthescopeofmusic.ThismakesthevisualdepartmentoccupyanunshakablepositionintheJapanesemusicindustry.Alsointheearly1980s,EuropeandtheUnitedStatesalsodirectedthevisualcostumesin"GorgeousRock"toanotheraspect,appearingingrotesqueandeventerrifyinganddisgustingshapes.VisualrockrepresentedbyKISS,ALICECOOPER,MARILYNMANSON,SLIPKNOT,etc.havebeendevelopedsuccessively,andlateritwasalsocalledshockrock.
Currently,themusicalorientationoftheJapanesevisualsystemrockbandis:X-JAPANandLUNASEAarerepresentativesofheavymetal,andGLAY’sstyleismorePOP.ItcanbesaidthattheyhavelearnedtheessenceofthebigbrothersinEuropeandAmerica.Notonlyisthemakeupandpaintingmorebold,gorgeous,charming,andcoquettish,butthequalityofmusicisbynomeansthelevelofwisdom.ComparedwithsomedomesticROCKs,Japanhasahigherlevelofskillsintermsoforchestration,arrangement,creativespiritandcommercialoperation.
Funkce
V období undergroundových indie je vizuální rock androll v kapelách obecně odvážnější a jejich hudba je filozofičtější. Po vstupu do hlavního proudu se jejich kostýmy a hudba stávají populární.
Visual rockandroll se konkrétně nevztahuje na formu hudby jako hudební jména jako "R&B" a "Punk" a její hudební formy jsou rozmanité. Proto je klasifikován podle hlavní hudební formy kapely. Například:
PopSugarMusic:Shazna
PopRock:Glay
IndustrialRock:Zlich,MACHINE
HeavyMetalRock:X/XJaponsko,sexMACHINEGUNS,theGazettE.
GothicRock:MadethGray''ll,Direngrey,moi-dix-mois,MEJIBRAY
p>Klasika/barokní rock:MaliceMizer,LAREINE
Existují skutečné japonské kapely, jako jsou: Raphael, Kagrra, Jilong, Onmyoji (heavymetal)
Současně bude Aband kompatibilní s několika hudebními formami, koexistuje i rock a klasika (jako je X Japonsko) a METAL a gotika (jako je například moi-dix-mois)
ManybandsThecharacteristicsof”arenotonlyexpressedinmusic,butcoverallkindsofcostumes,behaviors,lyrics,performancestyles,etc.;therefore,Japaneselocalsdistinguishthembythe××system:suchasthebasementsystem,thedarkvisualsystem,andthesoftsystem(SoftVisualDepartment).Takethebasementdepartmentasanexample.Thiskindofvisualrockbandhasathickerdisguise,mostlyblackandwhite;thesongshaveanurseryrhymeflavor,andthelyricsmainlyexpressfeelings,death,andloneliness;musicalskillsvaryfrombandtoband.Therearealsoregionallyclassified,suchastheOsakaschool,Sendaischool,Nagoyaschool,andKyushuschool;butunexpectedly,althoughtherearemanybandsestablishedinTokyo,veryfewbandsareallnativetoTokyo.Andspeakingofbands,manybandswereborninOkinawaandotherplaces,butmostoftheirdevelopmentisinTokyo.
X-JAPAN
Původce vizuálního systému X-JAPAN, s hlubokým modelováním a hudbou. Ovlivněn KISS. Již v roce 1978 založili TOSHI a YOSHIKI, pár dobrých přátel, kapelu NOISE, která vystupovala na školním 2. kulturním festivalu školy v 19. ročníku MET. CK právě odletěli do Japonska, vytvořili japonskou kapelu. První HM/HD pásmo bylo předchůdcem X-JAPAN-X. Ve skutečnosti je celý název BandX "Psychedelic Violence Crimeof VisualShock". Bylo řečeno, že to jméno bylo Toshiho strana. Yoshiki to neměl moc rád jako první. TOSHI je zpěvák (zpěv) a YOSHIKI je bubeník (bicí).
Po absolvování střední školy YoshikiandToshi opustili své domovské město do Tokia a začali tvrdě pracovat pro své hudební ideály.Vývoj X, když byl poprvé založen, byli členové týmu extrémně nestabilní. edit.Až do února 1985 konečně vydali první singl(SINGLE)"I'LLKILLYOU"(DADARecords)(indie), který vyprodukovali.Očekávaný1, 000 kopií bylo vyprodáno, což dodalo více odvahy. X vydal druhý JEDINÝ "ORGRAM" (ExtasyRecords) (indie) v dubnu 1986.
V únoru 1987 se TAIJI (BASA), PATA (KYTARA) a HIDE (KYTARA) připojily, X, který byl dlouhodobě ve stavu měnících se hráčů, konečně vytvořil pevnou sestavu Toshi, Taiji, Pata,hide&Yoshiki.
V únoru 1985 konečně vydali svůj první singl(SINGLE)"I'LLKILLYOU"(DADARecords)(indie).V únoru 1987 se TAIJI(BAS),PATA(KYTARA)aHIDE(KYTARA)podlouhou dobu připojili, čímž se dosáhlo stavuX,která se změnila, aby hráči konečně skončili Taiji, Pata,hide& Yoshiki. Dne 14. dubna 1988 byl vydán X'sfirtrecord "VanishingVision" a zařazen jako první v Indierrecordssaleschart.
5., 6. a 7. ledna 1992 se stala první kapelou, která hrála v TokyoDome tři dny po sobě. Připojil se nový baskytarista Heath. Ve stejnou dobu, protože se Spojené státy již vzdaly stejného jména, byla oficiálně přejmenována na X-Japonsko. V důsledku toho se členové X-Japonska stabilizovali jako:VocalTOSHI,Drums&PianoYOSHIKIHATA,G .
JustasX-JAPAN dosáhl mluvení, 22. dubna 1997, vedoucí TOSHI navrhl stáhnout kvůli jiné hudební orientaci. 22. září formálně opustil X-JAPONSKO, 17letý X(X-JAPAN) byl rozpuštěn.
At8:52AMonMay2,1998,HIDE,formerlyknownasHidetoMatsumoto,diedunexpectedlyathomeattheageof34.ThelasthopeofX-JAPAN’slegendary2000reorganizationplanwasalsoshattered.Hisdeathhasbeenamysterysofar.Suicidesduetofollowinghidehaveoccurredcontinuouslyforseveraldays.ItwasheldatHonganjiTempleonMay7th.Duringthefuneral,50,000fansfromalloverthecountrygathered.Thefuneralprocessionwasmorethantwokilometerslong,and197peoplecollapsedfromanemiaandpassedouttothehospitalonthehottestdayoftheyear.TheTokyoFireDepartmentstatedthat“exceptforaccidents.Besides,forthefirsttimesomanypeoplefainted",verysurprisedhide'shugeinfluence.
Thetrough
AsearlyasthedissolutionofXJapanin1997,thereweresignsofinstabilityintherocksceneoftheJapanesevisualsystem:Lunaseamemberstemporarilyflewsolo,andrainbowmembersweresuspectedofanawakeningagentcaseTemporarilystopactivities,etc.However,asLunaseaandtherainbowcametoaclimax,Glaybecamepopular,andnewforcesemergedinanendlessstream.Theflourishingageofvisualrockcontinuedtotheendofthecentury.However,inthe21stcentury,withtheR&Bboomsweepingtheworld,newandoldbandshavebeendisbanded,andthevisualrocksceneisgone.
AfterX-Japan,thesoulofvisualrockandroll,wasdisbandedonSeptember22,1997,Hide,thefirstguitaristintheteam,diedathomeonMay2,1998.Sincethen,thevisualrockcamphasbeenturbulent,andtheRainbowBandpubliclyannounceditsrefusaltobecalledthevisualdepartment.Attheendof2000,theLunaSeafinale,sofarthethreemajorvisualbandshaveceasedtoexist.EventherestofthevisualsystemrockstarGlayclaimedinBeijingthat"neutraldressingisindeedclosetothevisualsystem,butthiskindofdressingisnotmeanttobeclosetoacertaingroup",theimplicationisself-evident.Otherbandsarealsoinpoorconditions:MaliceMizer'sleadsingerGacktretiredin1999,anddrummerKamidiedofcerebralhemorrhage.Althoughheonceformedagroupagain,hefinallywentsoloin2001.Heimeng,whodebutedatthesametimeasXJapan,experiencedtwopeople.Duringtheband,finallyannouncedanindefiniterest.Emergingbandsarealsounpredictable:intheRaphaelteamthatjustboardedtheBudokan,Huayuefudiedofexcessivesedatives;D-shadewasdisbanded,Lareinememberswithdrewoneafteranother,anddue’leqrartz,whichwasfavoredbythemedia,wasalsodisbandedin2002.Sofar,themainbandofvisualrockandrollhasbeenmutilated.AlthoughDir-en-greyandothersarestillactive,theentirevisualsystemisobviouslynotasbraveasitusedtobe.
Afterenteringthe21stcentury,thesalesofvisualbandshavedroppedsignificantly.In2001,evenGlay's"OneLove"soldfarlessthanonemillion;by2003,thesalesofvisualalbumsbecamemoreandmorebleak,withamaximumof30Tenthousandalbums(thehighestisGlay'scollection,24and250,000respectively),mostofthealbumssoldintothetop30oftheyear.Ifthingsgoonlikethis,itisestimatedthatthevisualrockmarketwillcontinuetoshrink,andbandcompanieswillfacedifficulties.Nowasthebandsaredisbandedoneafteranother,theofficialfanclubshaveceasedoneafteranother,professionalTVshowshaveceased,andmanymagazineshaveceasedpublication.Thisisnotthesorrowofthevisualdepartment.
Variousformsofmusicintheworldareupanddown.Thetrendofvisualrockandrollhasitsownshortcomings.Itisalsoaffectedbytheglobalmusicclimate,andhasmorecommercialandeconomiceffects.Thereasonsarecomplicated.ThefollowingareArticlesareonlypersonalopinions.
◆1) Globální hudební styl není vhodný pro rozvoj rockandrollu.
Lookingattheworld,alloftheUnitedStatesisinRap,andallofAsiaisinR&B;thetwomajormusicplayersinChinaareJayChouandTaoZhe.ThesingerofR&B;thesameistrueinJapan,whereR&Bispopular.Youngpeoplearechasingfashion,andtheyhavealsochangedtheirdoorstostayawayfromrockandroll.ThisisthesimplestreasonwhyJapanesevisualrockhasenteredatrough:itisforcedbythemusictrend.
◆2)Japonská hudební ekonomika je pomalá
FromthepointofviewoftheentireJapanesemusicindustry,itisfacingaverydownturn.Theproductionvolumeofrecordshasbeendecliningyearbyyearsince1999.Morethan100billionyen(Yen,2002data),youngpeoplenotonlyspendlesstimelisteningtomusic,butalsospendless.Thepopularityofonlinemusicdownloadshashitthemusicindustryworldwide.
Inrecentyears,thenumberofnewdebutshasdroppedsharply,with128groupsin2001and510groupsin1991.Thedebutofarockbandisevenmoredifficult.IntheIndiesera,itispossibletoattracttheattentionofmainstreamrecordcompanieswithmorethan10,000records.Thisledtothedystociaofthenewforceofvisualrockandroll.
Atthesametime,thenumberofcreativemusicianswhocannotsellalbumshasalsoincreased.Fortheirownsafety,recordcompaniesgiveprioritytoreleasingalbumsthatsellwell.Rockbandsneedmoretimeandexpensethanordinarysingers,andthetimetogainincomefromthemisseveraltimesthatofidolsingers.Today’spopularoroncebrilliantvisualrockbands,noneofthemhavegonethroughtheundergroundstageofyearsofhardship,orevenstarvedtoreleaseanalbum;evenaftertheirdebut,thereisnoexampleofsellingimmediately,onlyacounterexample:Glaylasted3years;Rainbowtakesatleast2years;LunaSeahasbeenhoveringbetweencommercialinterestsandmusicalideasfrombeginningtoend,andthereisnooutstandingachievement.Therefore,ontheonehand,recordcompaniesarereluctanttoreleasefilmsforrockbandseasily;ontheotherhand,somevisualrockbandshaveabandonedtheirmusicalideasafterenteringthemainstream.ThishascausedmanyexcellentrockbandstoseekhelpfromIndiesinsteadofthepast,whichaffectstheproductionandqualityofvisualrockmusicalbumstoacertainextent.
◆3) Část vizuálního systému se odchyluje od podstaty hudby
Afterthevisualsystemisonthemainstreamstage,someoftheband'sgenresseemtograduallymovetowardsthemainstream,abandoningtheinitialvisionintheshapeShock,andthemainpurposeistoattractfans.Overtime,themediaandthepublichavehadthewrongimpressionthatthevisualsystemistheneutraldressingandamazingmakeup,ignoringthatthedressistheshapeandmusicisthegodoftherockband.Theperformanceoftheunderachieversalsomakespeoplefeelthattheircreativityisgraduallywithering.Whetherinmusicorinstyle,theycontinuetoseetheshadowofthepredecessorsintheirbodies,andtherearenotmanyself-establishedandirreplaceablestyles.Undertheover-packagingofcommercialization,theorchestra,whichwassupposedtocreatemusicastheprimarytask,hasgraduallybecomeacommoditysimilartotheidolgroup,andeventhevisualband∧uciferwithpackaginghasappeared.Asaresult,thevisualsystem,whichwasoriginallyacategoricaltermforrockmusic,begantoshake,anditalsochangedtothemeaningof"winningbyappearance",andgraduallyblurredthevisualsystem'scharacteristicsof"combiningvisualexpressionwithmusic."Somemusicfansalsoignoretheperformanceofmusicandjudgepeoplebasedontheirappearances.Theyareobsessedwithrockmusiciansasiftheyareyoungidols,causingdistortionofthevisualmeaning.
Visualrockmusicisnotagenreestablishedinmusicalstyle,soitwillnotbeinheritedinmusicalstyle."Thecombinationofvisualperformanceandmusic"isthemostimportantkeyforavisualrockband.Ihopethatemergingbandscanworkhardinbothvisualmusicandbecomeabandwithbothgodsandforms.
Injusttwodecades,Japanhasformedavisualrockculture.Althoughtherearecommercialhypefactors,thecharmofthevisualsystemitselfhasplayedamoreimportantrole.Althoughtoday'strendgoesawayfromvisualrock,thelatterhasadeepfoundationinundergroundbandsinJapan,anditdoesn'tfadeawayovernight.Ifoneortwobrilliantbandsstandoutfromthecrowdandleadtheentiremusicscene,visualrockwillbeabletoachievegreaterbrilliance.
LikethesongofHIDEthatyouwillhearattheend,perhaps,thereisnoabsoluteendintheworld,theendjustheraldsanotherroundofnewbeginnings——
Classicbandsandnewforces
Infact,manyoftheclassicbandshaveuniquestyles.However,intheearlystagesofdevelopment,therearestillafewbigbandsthatareunforgettable.
1, X-Japonsko uvedené výše
2,Glayzmíněno níže
3 a Lunasea, mají soukromý vztah s X-Japonci velmi dobrý.
4.ThereisalsoLarc-en-ciel,butbecauseofthedownturninthevisualsystem,mostpeoplethinkThevisualdepartmentonlyhasappearanceanddoesnotpayattentiontotheconnotationofmusic,soithasalreadyissuedastatementthattheyarenotvisualdepartment!
Thefollowingisasummaryoftheclassicmainforceandthenewforce.Ofcourse,indiesaregood,butthosewhoneedmoretimetolearnandcomparetofindtheirfavoriteband!Becauseitisdifficulttotunein,andeveryone'stastesareinconsistent.
1, X-JAPONSKO
Hlavní členové:zpěvák——Toshi;bubeník——Yoshiki(kapitán X,který také hraje na klavír);kytara——Hide,Pata;basa——TaijiinXperiod,heathinXJapanperiod.
Hlavní práce: "Červená", "EndlessRain", "Foreverlove" atd.
2.LUNASEALunaseaisalsooneofthethreemajorgroupsintheJapanesevisualdepartment.Itwasdiscoveredbyextasyrecords.Itisknownforitsstrongmakeupandcoquettishimage.Atthattime,itwasagroupofHARDROCKbandwithastrongsenseofdarkness.Formallyestablishedasamemberin1989,hewasactiveintheundergroundmusicsceneunderthename"LUNACY"atthattime.Hemadehisdebutwith"IMAGE"in1992,temporarilysuspendedthegroupin1997,andannouncedthe"final"in2001.Becauseofhisexcellentlivesingingabilityandtheperfectcombinationofbeautifulmelodyandfrenziedrhythminmusic,itishailedas"anorchestrathatcannotbecopiedbyotherorchestrasandhasnosemicolon."
AfterthebandmembersRyuichiKawamura,Sugizoandotherscontinuetodeveloptheirpersonalworks.
OnDecember24,2007,LUNASEAcamebackwitharesurrectionnightconcert.50,000ticketswererobbedwithin5minutes,whichshowsthattheappealisstillstrong.
Mainmembers:leadsinger-RyuichiKawamura(Ryuichi);guitar-Inoran(InoueKiyoshinobu);guitar(violin)-Sugizo(SugiharaYasuhiro);bass-J(OnoseJun);Drum-Shinya.
Hlavní díla: "STORM","Rosier","TRUEBLEU","ENDOFSORROW","Iforyou".
3.Glayisnowarockmusictycoon,Japan's"nationalband",whohascreatedahistoricalrecordof4.87millionsinglealbumsalesandthefirstof200,000concerts.Inaddition,GlayisalsoveryconcernedabouttheChinesemarket:releasingalbumsforChina,shootingcommercialsinShanghai,andholding10,000-personconcertsinBeijing.Thebandformallytookshapein1990,andrecordeditsfirstalbumunderYoshiki'ssupervisionin1993.Itenteredthemainstreammusicscenein1994andhasdevelopedsmoothlysincethen.In1997,thecollectionof"Review"sold4.87millioncopiesandGlaybecamethemainstreaminJapan.Bigbrotherintherockindustry.Thefourmembersofthebandaretheleadsinger,guitar,andbass;thedrummerissupportedbyforeignaid.Glay'ssongscoverawiderange,involvingfamilyaffection,friendship,andlove.Therearealsosongstoinspirethepeople,and"WinterAgain"whichmisseshometown.Todaywhenrockisnolongerthecourageofthepast,Glaystillstickstohisownphilosophyandcontinuestocreatemusic.
Mainmembers:leadsinger-Teru;guitar-Hisashi,Takuro;bass-Jiro.
Hlavní díla: "Milovaný", "Lip","WinterAgain", "Pokušení" atd.
4,Alicenine/theGazettE(ガゼット)
Anewband.TheyaretwoofthemostpopularbeautygroupsinJapan.GazettEdebutedsoon,andformallyformedinearly2002.Butitisalsoarelativelypowerfulband.
Alicenine'sgenreismorepopularrock.TheGazettEisbiasedtowardsheavymetals(ithasnowchangeditsstyletonewmetals).ButitstillhasaGothicatmosphere.
Hlavní díla:"NEMESIS","Rainbows","Crossgame","MirrorBall","NineHeads(NINEHEADSRODEOSHOW)","Jaro,Léto,Podzim a Zima"(Alicenine)
Chizuru""Cassis""filthinthebeauty""LEECH""RedLotus""SHIVER"(Kuroshitsuji2OP)"PLEDGE"(GazettE)
5、Nightmare(ナイトメア)
FormedinSendaiin2000,referredtoasMia.FormerlyNIPPONCROWNCO,movedtoVAPin2006andnowbelongstotherecordcompanyVAP.
Členové kapely:Vokál——YOMI(ヨミ,Huangquan);Kytara——hitsugi;Kytara——咲人(sakito);
Bass——Ni～ya(ニーヤ,Shinya);Drum——RUKA(Ruka,瑠华)
Mainworks:"TokyoInjuryYear","theWORLD"(DeathNoteOP),"DIRTY","SnowBurial","LostinBlue"(魍魉之箱OP),"レゾンデートル",etc.
6.Ya-Miyavi
Ibelievethatmanypeopleknowthathisstyleischangeable,andmanynewelementshavebeenaddedtothemusic,whichreallymakeshismusicdifferentfromeachother.Hisvisualsystemisnotverysimilar.Hisstyleisquitedifferentfromwhenhefirstdebuted,butheisstillhim,theonewholovesmusicandcreatestirelessly!Althoughthestylechangehasreceivedmixedpraiseandcriticism,itisalwaysdifficulttotune.Wejusttreatthemusicasitis,andhopethathecancreatemoregoodmusic.
7. Jiná pásma
Today'soutstandingbandsintheJapanesevisualdepartmentincludePierrot,JanneDaArc,PsycholeCemu,etc.,amongwhichDirengreyisundoubtedlythemostoutstandingrepresentative.Direngrey'spredecessorwasLa:Sadie's.DirengreywasformallyestablishedinFebruary1997anddebutedin1999.Direngreyhasbeenverypopularsinceitwasformed,sothatsingle"I'll"wasreleasedinAugust1998,althoughitwasthereleaseofindies,itwasrankedseventhontheoriconsingleschart.ItisworthmentioningthatLunaSeaandDirengreybothperformedinShanghaiin1999andApril2002respectively.
Celebrity
·GLAYのHisashi
Narozeniny 2. února 1972
BorninHokkaido,HakodateCity
Obnovit:
GLAYのHisashi~OurHisashi
Hisashi se narodil v prefektuře Aomori, Hokkaido. Jeho otec je chirurg, hissothera je žena v domácnosti a on je starší bratr, který je o rok starší.
AlthoughAomoriPrefectureisasmallandconservativetown,thehumantouchthereisverystrong,andeveryonerespectsandloveseachotherlikeafamily.Parentsfromothervillageseducatethetwochildreninaverydemocraticandfreeway.Forexample,manyparentswillforcetheirchildrentobegoodatacademicsorlearnaskill,butHISASHI'sparentsgivetheirchildrentherighttofreedomandencouragethemtodowhattheywant.Hischildhoodlifeisverycomfortable.
HisashimovedtoHakodatewithhisfamilywhenhewasfouryearsold,whichisthehometownofSotomura'sfather.Inthebeginning,HISASHIwasunacceptabletoanyoneandanythinginHakodate.Healwaysfeltthathisteachersandclassmatestargetedhim.Therefore,HISASHIcouldnotfitintotheclass,orherefusedtofitintothisplace.Notonlydidhehavenofriends,healsofelltothebottomofhispreviousgoodgrades.Buthisparentsdidn'tscoldhim.Theyonlyaskedhimifhewantedtoattendacramschool.Hisashireadilyagreed.HISASHIdiscoveredthatthecramschoolturnedouttobeagatheringplaceforbadkids,notaplacewherepeoplegethighmarks,soheoftenskippedclasses.LaterHISASHIdiscoveredthatthebadkidsintheeyesofotherswereallgoodpeople.Theyallhadaverystrongpersonaltouch.GraduallytheybecamefriendswiththemandbegantohaveagoodimpressionofHakodate.
·TERU
TERU’shometownisinKikyo-cho,HakodateCity,alongNationalHighway5towardsOnuma,LeftoutsideJRKikyoStation.Fromtheageof1-4,LittleTERUlivedabout7kilometerssouthwestofthecenterofHakodateandnorthofMountHakodate.Notonlycanyoulookatthecemeteryofforeigners,youcanalsowatchtheshipsthatneverstoparoundtheclock,andspendthedayssurroundedbytideseveryday.WalkalongtheouterseaofHakodateBayforabout10minutestoreachtheforeigncemetery.ThespecialrocksalongtheroadareoneoftheuniquecoastlinesofHokkaido.Thereis"XuejianBeach"here.Onthefrontofthebath,LittleTERU'saunt'shouselivesinthatarea."Teruwillcomeheretoplayinthesummer,"saidXiaoqiao'saunt.Theseaareaaroundthebathingbeachislistedasa"fisheryprohibitedzone",whichissimilartoaprotectedarea.But,littleTERUdoesn'tcareaboutsomuch,catchingfishandgrillingit!Thewavesherearequitecalmandstable,andLittleTERUhasspentalongtimehere.Intheautumn,youcanseethefaintfishingfirehere,coupledwiththerelationshipbetweentheseasons,theentireseaareabecomesverybeautiful.
·TAKURO
TAKURO’sfatherpassedawayinatrafficaccidentwhenhewasthreeyearsold,andhismotherfirmlyshoulderedtheburdenofraisingtwochildren.Inordertomakealiving,themothermustworkovertimeeverydayandcannotgotothekindergartentopickupTAKUhomeontime.TAKUdoesnotunderstandthisverymuch!(Howcanathree-year-oldchildunderstandthepressureoftakingcareofthefamily?)SoTAKUaskedhismothertopickhimupfromschoolearlieronmorethanoneoccasion.TAKU'smothercertainlyunderstandshismood,butthereisnowaytodoit.Overtime,TAKUdevelopedaproblem.Hisstomachhurtseverymorningwhenit'stimetowakeup,andithurtseveryday.Thisisaphysiologicalchangecausedbypsychologicalrejection.Thisphenomenonwillonlygetbetterifsomeonepickshimupthatday.Therefore,TAKU'schildhoodmemoriesareunforgettableandpainful.AlthoughTAKUgrewupinasinglefamilyanddidnothaveahappychildhood,heisstrongerandmoresensiblethanordinarychildren.
Matka TAKU ráda velmi ráda zpívá. Řekla TAKUovi: „Zpívání se motivuje!“ To přineslo myšlenku„Musím tvrdě pracovat, abych vytvořil takové písně.“ Když byl ve škole, TAKU byl muž z fotbalového klubu. fotbalový klub se později zformoval „Guest-apo“. Kapela se na vysoké škole rozpadla a vytvořila „Instantní“ band na „Judicial Party roku 3“ a později vznikla „GLAY“ .
·JIRO
JIRO se narodil v šestileté rodině, s rodiči, tříletou sestrou a tříletou sestrou, čtyřletou sestrou a otcem JIRO.
Therulesathomehavealwaysbeenverystrict,andJIROsaidhewasaverygoodboy.JIROtakescareoftheyoungersisterswhentheirparentsgoouttowork.Iftheyviolatethehouserules,theywillbeseverelypunished,whichcannotbejustified.LittleJIROhasalwayswantedtowatchcartoons,buttheTVisalwaysdominatedbyhisfather.Whenthestudentstalkedaboutcartoonshappilytogether,Jiroalwaysfeltverywronged.Asaresult,myfather’sfavoritesumohasbecomeJIRO’smosthatedshow!
Postscript
MaybethevisionoftheVisualOrchestraisnotoptimistic,butitmusthaveitsownvalue..Perhapsinordernottodisappointmanyfans,orforotherreasons,anexpectedbandappeared.Themembersare:visualprinceGACKT,theoriginalX-JAPANsoulYOSHIKI,theoriginalLUNASEAguitaristSUGIZO,andthenewgenerationrepresentativeMIYAVI-yawhoannouncedonthe28thtojointhenewgenerationrepresentative.TheirjoiningmadethebandnameofficiallynamedSKIN!!!!
TheVisualDepartment(Japanese:Template:Lang,Template:Lang,fromEnglishVisual,thatis,"visuallyrelated")isatypeoforchestradevelopedfromJapaneserock.ThenameVisualDepartmenthasnothingtodowithanymusicgenre.Itisusedtorefertobandswithexaggeratedcostumesandmakeup.InJapan,almostallfansofthevisualdepartmentarecomposedofyounggirls.Inothercountries,thenumberofvisualfansisrelativelysmall,andtheratioofmaletofemaleisroughlythesame.
ThemembersoftheVisualDepartmentusuallyhaveeye-catchingmakeup,exaggeratedhairstyles,andelaboratecostumes.Althoughthevastmajorityofvisualensemblesaremen,theircostumesandmakeupareoftenconsideredfeminine.Costumeelementsareveryattractivetomusicfans.Therearealargenumberofgirlswhowillcosplaytheirfavoriteorchestra,especiallyatconcertsinJapanorattheAmericananimationexhibition.
Vzhledem k tomu, že vizuální systém se zaměřuje na vizuální styl, je to typ pro více než typ hudby. Většina vizuálních orchestrů se řídí japonským rockem (jako LUNASEA, Direngrey), popmusiccorlight rockem (jako GLAY, Rainbow (L'Arc-en-Ciel nebotraste) avymetal, průmyslový rock, synthpop, punk atd. Ve velkém měřítku se většina vizuálního systému nebo orchestrů řídí určitou cestou „rockové hudby“.
WesternobserverssometimesconfusetheVisualDepartmentandtheGothicOrchestrabecausethecostumesofthetwoareoccasionallysimilar.However,mostJapaneseGothicfansdonotregardtheVisualDepartmentaspartoftheGothic,andthevisualThereisverylittleculturaloverlapbetweenGothicandGothic,exceptforGothicLoriwhoisinfluencedbyGothicculture.
TheriseofthevisualsystemismostlysaidtohaveoriginatedinXJAPAN.However,inXAtthetimeoffame,theuseofvisualshocktoattractthemassesgraduallybecameatrendatthetime;fromthisperspective,Xisnotsomuchtheleaderofthevisualtrend,asitisthattheypresentthemainstreamJapanesepopcultureatthetime.TheOrchestraofthe1990sForexample,DieinCries,MoonSea,ZI:KILL,ShaznaandBaiserplusthepreviousbandsBUCK-TICKandXJAPANcontributedtotheexplosionofthevisualsystem.
Existuje několik podtypů vizuálního systému., Včetně Godelori, EroGuro a Anguraseries.
Thedifferencebetweenvisualsystemandnon-mainstream"Normalcombination",domesticyoungpeopleblindlyimitatetheclothesandhairstylesthatworshipthevisualdepartment.Atpresent,therearemanynon-mainstreampeopleontheInternet.AfterseeingsomephotosofVRartistbands,theyclaimthattheirpicturesofstrangeclothesare"Visualdepartment".Infact,ithasnothingtodowiththerealvisualdepartment.Itisonlysomeyoungpeoplepursuingdifferentmeans.Thenon-mainstreamisacombinationofblindlyimitatingJapanesevisionandEuropeanandAmericanvision.Itisreferredtoasnon-mainstream.,Mostofthemhavelongcolorfulhair,paintedveryheavymakeup,wearsomeverypersonalizedclothing,andwearstrangejewelry,butmostofthemarestreetvendors.TheyliketotakeselfiesanddosomestrangethingsinfrontofthecamerasintheInternetcafes.Theactionclaimedtobe"agroupoftrend,visual,andnon-mainstream."ButtheyjustblindlypursuetheappearanceoftheJapanesevisualsystemrockband,buttheydon’tknowthetrueconnotationoftheJapanesevisualsystem,inacertainsenseItarousedthepublicoutrageoftheJapanesevisualdepartmentFANS,andhadtoequate"non-mainstream"withbraindamage.Whenthepost-80s,post-90s,andpost-00sgraduallytookcontrolofthesociety,variousideasalsopouredout.ThisisThecognitionofnewthings,butwhenthenon-mainstreamcomesintocontactwiththevisualsystem,theywillalwaysdefinethenon-mainstreamasthebrain-disabledgroup.
Chineseband
První čínský vizuál Thebandissilverdust.
Pak tu byl LiuLiQiangWei a vizuální rocková skupina Lilith from Shanghai. Jejími členy jsou: Jinghua (Vo.) Lin (Gu.) Xiuluo (Ba.) 楽 (Dr.)
ScarletHorizonis první čínská vizuální kapela smrti. Fanoušci z řad zámořských vizuálních fanoušků ji nazývají „China's Nocturnal Bloodlust“. Jejími členy jsou: Zero (Vo.) CangYue (Gu.) Yao (Gu.) Jue (Ba.) Ami (Dr.).