Basicinformation
Institutionallocation
CentralConservatoryofMusic>CentralConservatoryofMusiccampusscenery(9photos)
September1949,bytheNationalConservatoryofMusic(includinginfantclasses),NortheastLuXunAcademyofArtsMusicTroupe,NorthChinaUniversitySchoolofArtsandMusicDepartmentofMusic,NationalPekingCollegeofArtsMusicDepartmentSeveralmusiceducationinstitutions,includingShanghai,Shanghai,andHongKongChineseConservatoryofMusic,weremergedandreorganizedinTianjin.OnDecember18,theStateCouncilofficiallynamedtheschoolastheCentralConservatoryofMusic.InJune1950,thecollegewasinauguratedinTianjin.
In1952,theMusicDepartmentofYenchingUniversitywasmergedintothecollege.
In1958,thecollegemovedtoBeijing.
InNovember1981,withtheapprovaloftheStateCouncil,theCentralConservatoryofMusicbecamethefirstbatchofdoctoralandmaster'sdegreegrantingunitsinthecountry.
InSeptember2017,itwasselectedasoneofthefirstbatchof"DoubleFirstClass"world-classdisciplineconstructionuniversitiesinthecountry.
In1964,Mr.GuoMoruobecamethecollegeInscription | InaugurationceremonyoftheCentralConservatoryofMusiconJune17,1950 | ||
ChongqingQingmuguanNationalConservatoryofMusicGate | ThegateoftheCentralConservatoryofMusic(1950-1958Tianjin) | ||
HongKongChineseConservatory | ThegateoftheCentralConservatoryofMusic(1958-Beijing) |
AcademicResearch
ScientificResearchInstitutions
2014Accordingtotheofficialwebsiteoftheschoolin2015,theschoolhas1keyresearchbaseforhumanitiesandsocialsciencesoftheMinistryofEducationand4school-levelresearchcenters.
ThekeyresearchbaseofhumanitiesandsocialsciencesoftheMinistryofEducation-MusicologyResearchInstituteofCentralConservatoryofMusic
Schoollevel:ViolinMakingResearchCenter,MusicTherapyCenter,VoiceResearchCenter
ScientificResearchAchievements
From1987to2012,thecollegewon87scientificresearchachievementawards,including61attheprovincialandministeriallevel.In2013,thecollegehas4national-levelprojectsapproved.
Listofnationalprojectsin2013
Serialnumber | Projectapprovalnumber | Personincharge | Projectname | Projectcategory | Projectfunding(10,000) |
|---|---|---|---|---|---|
1 | 12FYS008 | WangXinhua | Theevolutionofthewesternmusicpitchorganizationsystemofthe16thand17thfamily | Post-fundedprojectsoftheNationalSocialScienceFund | 15 |
2 | 12QKA100 | WenYonghong | SponsoredbytheNationalSocialScienceFundforAcademicJournals | SponsoredbytheNationalSocialScienceFundforAcademicJournals | 40 |
3 | 13FYS006 | XiangXiaogang | LiLingMusicCriticResearch | Post-fundedprojectoftheNationalSocialScienceFund | 18 |
4 | 13AD003 | WangCiyan | AestheticResearchonTraditionalChineseMusic | KeyProjectsoftheNationalSocialScienceFund p> | 30 |
Listofthe2011-2011scientificresearchresults(papers)oftheCentralConservatoryofMusicb>
YangMinkang | InvestigationandresearchonthecontemporarydevelopmentandvariationoftheDe'anglovesong"Apoweng" | Thesis | 40575 | "EthnicArtsResearch" | |
LiXin | Somequestionsontheinstrumentsusedin“Qiuci”music | Thesis | 2011-1-22 | IndiranagarSangeethaSabha(RegdTrust)India | |
LiXin | MyUnderstandingof"AfricanPianism" | Thesis | 2011-12-8 | MRIPress,USA | |
LiXin | ABriefreviewOftheearlydevelopmentOfJazz–styledmusicinShanghai | Thesis | 2011-12-1 | MRIPress,USA | |
YangMinkang | ThevariationprocessofYunnanBulangfolklore[Suo]anditsinterpretationfromothercultures | Thesis | 2011-1-15 | "ChineseMusicology" | |
LuYuxiu | Movingfootstepsandmovingyears-MalanFarmingFolkSongs | Thesis | 2011-1-15 | TaitungChuyinCultureandArtTroupe | |
YangMinkang | Ontheparadigm,structureandteachingapplicationofmusicethnography | Thesis | 2011-1-8 | "MusicArt" | |
SongJin | Postmodernist"mini-narrative"andfieldworkinmusicanthropology | Thesis | 2011-1-8 | 《MusicArt" | |
Namura | Howtoimprovethebowholdingposture | Thesis | 2011-1-5 | "LittlePerformer" | p>|
SongXuejun | Ashortandglorioushistoryofthetroupe——RecordoftheMusicalTroupeoftheCentralConservatoryofMusic | Thesis | 2010-12-30 | "JournaloftheCentralConservatoryofMusic" | |
LiXin | AfricanMusicStudyinChina | Thesis | 2010-12-15 | CompositioninAfricaandtheDiaspora,Volume2 | |
XiaoXuejun | "CulturalInterpretationofthe"KhanCapitalSpring"Phenomenon" | Thesis | 2011-5-15 | "MusicResearch" | |
SongJin | Postmodernthoughtandmusicanthropology | Thesis | 2011-5-15 | "MusicandPerformance" | |
Namura | Masterthelawofcelloposition | Thesis | 2011-5-13 | TheLittlePerformer | |
ChenQuanyou | Commentsontheseriesofactivitiesof"TheMusicLibraryofContemporaryChineseComposers" | Thesis | 2011-4-1 | ShanghaiConservatoryofMusicPress | |
HeYunfeng | "SomeThoughtsontheTeachingofArtManagement(2)——LookingatitfromthefourteachingplansoftheArtManagementMajoroftheCentralConservatoryofMusicUpdateofTeachingModeandConcept" | Thesis | 2011-3-25 | "ChineseMusic" | |
YuanJingfang | TheInheritanceandDevelopmentoftheSouthernandNorthernSongsintheBuddhistMusicoftheMingDynasty——AlsoontheMingDynasty’s"Buddhas,WorldHonors,SongsofTathagata,BodhisattvaandVenerableNames" | Thesis | 2011-3-15 | "2010Cross-StraitOperaMusicConferenceProceedings",ChiefEditorZengYongyi | |
WangCiyan | "MusicandLiterature" | Thesis | 2011-3-13 | "People'sPoliticalConsultativeConferenceNews" p> | |
Namura | Howtomasterthecorrectbowholdingmethod | Thesis | 2011-3-3 | Littleperformer | |
LiXiaodong | "TheProcessofWesternMusicinthePerspectiveofAestheticModernity" | Thesis | 2011-3-1 | JournalofXinghaiConservatoryofMusic | |
HeKuanzhao | Romanticculture-aestheticinterpretation | Thesis | 2011-3-1 | JournaloftheCentralConservatoryofMusic | |
HuYinyue | "ResearchontheDevelopmentofJapaneseModernMusicafterWorldWarII" | Thesis | 2011-3-1 | ShanghaiConservatoryofMusic | |
YangMinkang | Thefriendandconfidantofethnicminoritystudents-TeacherTianLiantaoIknow | Thesis | 2011-2-26 | JournaloftheCentralConservatoryofMusic | |
LiuYue | "OntheConnotationofHumanismandReligioninLiszt'sOratorio" | Thesis | 2011-2-26 | 《JournalofCentralConservatoryofMusic》 | |
SongJin | Newhistoricistmusicaesthetics | Thesis | 2011-2-15 | "Symphony" | |
YaoHenglu | "TheComposersofOurTime" | Thesis | 2011-2-15 | "FujianArt" | |
Namura | Howtocooperatetacitlywithpartners | Thesis | 2011-2-15 | Littleperformer | |
WangCiyan | Inspiringthought-provokinglessonsfromhistory-Prefaceto"MaoYukuanMusicCollectedWorks" | Thesis | 2011-2-12 | "People'sMusic" | |
WangHua | Discussionontheexistingproblemsoffixedassetsaccountingandphysicalmanagementofcollegesanduniversities | Thesis | 2011-2-8 | "ChinaEconomicsandTrade" | |
SongJin | StephenDavis’musicaesthetics | Thesis | 2011-7-15 | "ChineseMusicology" | |
YangMinkang | ThechantingartofthebelieversintheDaiBuddhisttempleinDehonganditsculturalchanges | Thesis | Thesis | td>2011-7-1 | 《NationalArt》 |
YangMinkang | OntheSignificanceandFunctionoftheStagePerformanceoftheOriginalEcologicalFolkSongs——AlsoontheSeveralCulturalProtectionandInheritanceModesofYunnanMinorityMusic | Thesis | 2011-7-1 | "MusicExploration" p> | |
XiaoXuejun | TheIntroductionandDevelopmentofKhanDuChunPingTuningMusic-TheSecondSeriesofPapersontheHistoryandCurrentSituationof"KhanDuChun"ofXibeNationality" | Thesis | 2011-6-20 | JournalofXinjiangArtsUniversity | |
TianLiantao | Astudyoncross-borderethnicmusicinthefringeareaoftheTibetanculturalcircle | Thesis | 2011-6-12 | "People'sMusic" | |
Namura | Abouttheimportanceofthethumbinthestringpressingtechnique | Thesis | 2011-6-7 | Littleperformer | |
YangMinkang | Onthesignificanceandfunctionoftheoriginalecologicalfolksongstageperformance | Thesis | 2011-6-5 | "BroadcastSongsSelection" | |
ChenQuanyou | ChinaMusicJournal:Howshouldwetaketheroadunderourfeet? | Thesis | 2011-6-1 | CommunicationUniversityofChinaPress | |
YuRunyang | "TheTaoofMusic—ChineseContemporaryMusicInterviewwithFamousAesthetics" | Thesis | 2011-6-1 | ShanghaiConservatoryofMusicPress | |
SongJin | Screwton'smusicaestheticsThoughts | Thesis | 2011-5-26 | 《JournalofCentralConservatoryofMusic》 | |
ZhangLexin | SeveralpointsonthehistoryofBeethoven’sacceptanceinChinaQuestion | Thesis | 2011-5-26 | 《JournalofCentralConservatoryofMusic》 | |
ShenFanxiu | DriegerSonataPerformance | CD | 2011-9-25 | BeijingOrientalAudio&VideoCompany | |
NaMuPull | MorningMusicBridge | Thesis | 2011-9-22 | TheLittlePerformer | |
YangMinkang | Cross-borderethnicgroupsandcross-bordermusicculture:Significanceandscopeofcross-borderethnicgroupmusicresearchintheChinesecontext | Thesis | 2011-9-15 | "MusicResearch" | |
SongJin | Perceptuals:De-maskingandRe-enchantment | Thesis | 2011-9-15 | "Teana" | |
ZhaoHanyang | SomeexperiencesinlearningErhu | Thesis | 2011-9-12 | "People'sMusic" | |
HeYunfeng | "Revisitingthe"Original"Music" | Thesis | 2011-9-1 | "MusicExploration" | |
Shengyuan | BachmusicandChineseculturemeetinMacau | Thesis | 2011-9-1 | MacaoRicciSociety | tr>|
JiaGuoping | ModernmusicisinChina | Thesis | 2011-9-1 | "People'sDaily" | |
XiaoXuejun | Themultiplicityof"KhanDuchun"andtheXibeNationalityCulturalIdentity" | Thesis | 2011-8-26 | "JournalofCentralConservatoryofMusic" | |
YuanJingfang | HistoricBeijingZhihuaTempleMusic | Thesis | 2011-8-15 | ResearchonOrientalMusic | |
SongJin | Threetermsandmetaphorsfortalkingaboutmusic | Thesis | 2011-8-15 | "Symphony" | |
LiShuqin | ThelegendaryoperaunderthedeepintegrationofChineseandWesternmusic-writtenwhentheopera"TheLegendoftheWhiteSnake"wonthePulitzerPrize | Thesis | 2011-8-12 | "People'sMusic" | |
HeKuanzhao | Theaestheticthinkingoftheopera"TheLegendoftheWhiteSnake" | Thesis | 2011-8-1 | "People'sMusic" | |
YangMinkang | TheDaoSongSingingandArtisticMonkSystemofBeijingTibetanBuddhisminQingDynasty——AlsoonthethirdlivingBuddhaZhangjia’scontributiontotheinheritanceandspreadofMongolian-TibetanBuddhistmusicanddance | Thesis | 2011-7-25 | "YellowBell" | |
Qianrong | Newdiscussiononregionalvocalmusicanalysis | Thesis | 2011-7-15 | ChineseMusicology | |
YangMinkang | OntherelationshipbetweentheBuddhistjunglesystemandtheBuddhistmusicstylearea | Thesis | 2011-7-15 | "HundredsofArts" | |
YeXiaogang | "Linquan-YeXiaogangMusicCollection" | CD | 2011-7-15 | BeijingUniversalMusicXiangPublishingHouse | |
LiuYue | "TheHistoricalContributionofLiszt'sOratorioCreation" | Thesis | 2011-7-15 | 《星海JournalofConservatoryofMusic" | |
HeYunfeng | "KnowingtheDifficultiesandDoingIt—AnalysisontheDifficultiesofContemporary"TransnationalEthnicGroup"MusicCultureResearch" | Thesis | 2011-11-15 | "MusicResearch" | |
LiMeng | p>GuzhengShengshiHuazhangMastersConcerto"EightFaces" | DVD | 2011-11-15 | BeijingUniversalAudiovisualPublishingHouse | |
FuTaoTao | Integrationandintegrationtocreateauniqueschool--ProfessorYangRuhuai'sdevelopmentandinnovationofthetheoreticalsystemofmusicalformandworkanalysis | Thesis | 2011-11-12 | "People'sMusic" | |
ChuLi | "SequenceStructureofShifanGongsandDrums" | Thesis | 2011-11-1 | JournaloftheCentralConservatoryofMusic | |
YuRunyang | "TalkingabouttheProblemofHarmonyCounterpointTeachingfromthePerspectiveofMusicology" | Thesis | 2011-11-1 | "People'sMusic" | |
inRunyang | "Simanowski'sArtisticLife" | Thesis | 2011-11-1 | "ArtReview" | |
ZhouYaoqun | "SummarizationofResearchonWesternMusicHistoryin2009"(ChineseMusicYearbookEntry) | Thesis | 2011-11-1 | CulturalandArtPublishingSociety | |
CaoXiaoqing | NewChineseAccordionWorksAlbum | CD | 2011-11-1 | ChinaRecordCorporation | |
DaiJiafang | Onthesecret"rescue"oftraditionalmusicinthelateperiodofthe"CulturalRevolution" | Thesis | 2011-10-25 | "YellowBell" | |
LiQimin | LuoGuanzhong’sQuestfortheUtopia-OutoftheCycleofStatePowerChange | Thesis | 2011-10-22 | "DongpingLake" | |
YangMinkang | NewVariationsofChristianRitualMusicofYunnanMinorityNationalities | Thesis | 2011-10-15 | "WorldReligiousCulture" | |
ZhouHaihong | Perceptualwisdomandinnertruefeelings-borrowingSelf-confessionofQinWenchen'sworksasapreface | Thesis | 2011-10-12 | "People'sMusic" | |
HeKuanzhao | ThePhilosophical-AestheticInterpretationoftheHarmonyofTristanandIsoldeandtheHarmonyofDebussyImpressionism | Thesis | 2011-10-1 | "MusicResearch" | |
LiQimin | Iborrowedtheirondrysilverhookpentospreadthesnowyspringnews | Thesis | 2011-10-1 | Taiwan"BeautifulTreasureIsland"MonthlyNewsAgency | |
PanLan | AbriefdiscussiononthenationalcharacterinSimanowski’slateworks | Thesis | 2011-10-1 | ArtReview | |
Heyunfeng | "HardtocultivateaJiaziTheFragrantPeachandPlumRecallingthePast-60YearsofInvestigation,ResearchandTeachingofChineseMinorityMusicattheCentralConservatoryofMusic" | Thesis | 2011-12-25 | "ChineseMusic" | |
HeYunfeng | "TheStatusandFunctionofTibetanBuddhismandItsMusicinMosuoSocialCulture" | Thesis | 2011-9-25 | JournalofYunnanArtsUniversity | |
HeYunfeng p> | "TheBasicTheoryofMusicalIntangibleCulturalHeritageandtheIdeasandThoughtsontheSettingofCaseAnalysisCourses" | Thesis | 2011-9-25 | 《JournalofYunnanArtsUniversity》 | |
YangMinkang | FromNieEr’sdiarytoseethelocalfateandtraditionofhismusiccreation | Thesis | 2011-9-25 | JournalofYunnanArtsUniversity | |
LiMeng | Guzheng"ShengShiHuaZhang"-"BronzeDrumDance" | CD | 2011-12-15 | EverydayArtPublishing | |
XiaRan p> | The4thChinaConTempo&SwitzerlandCultruescapesNewChamberMusicCompositionCompetitionandContempoPrimoModernChamberOrchestraTrainingProgram | Thesis | 2011-12-15 | "2010ChinaNewMusicYearbook" |
AcademicResources
Collectionresources
AsofAugust19,2011,theCentralConservatoryofMusiclibrarycoversanareaof4780squaremeters,withcollectionsofbooks,musicscores,audiovisualmaterials,andmusicperiodicalsTherearemorethan470,000pieces(volumes)ofmaterialsinvariouscarrierforms,includingpreciousmaterialssuchasguqin,pipatextscores,templemusicscores,traditionalnationalmusicalinstrumentperformancescores,andforeignworksofdifferentperiodsandgenres.Inaddition,therearemorethan75,000professionaltheoriesandreferencebooksindifferentlanguages,morethan10,000musicperiodicals,andmorethan226,000audio-visualmaterials.ItisthelargestprofessionalmusiclibraryinChina.Atthesametime,thedigitallibraryalsohasdatabasessuchas"Full-textLibraryofCollectionsofMusicBooks","Full-textLibraryofCollectionsofMusicScores","Full-textLibraryofMusicCorePeriodicals","On-demandLibraryofCollectionAudiovisualMaterials".Electronicresourcescoverbooks,musicscores,periodicals,audioandvideo,andarecurrentlythelargestprofessionalmusicelectronicresourcelibraryinChina.ThelibraryalsocontainsmaterialsandmanuscriptsofmodernChinesecomposers,aswellasmanyprecioustextandaudiomaterials.In1997,thelibraryjoinedtheInternationalMusicLibraryAssociation(IAML)andbecamethefirstmemberlibraryinChina.
CentralConservatoryofMusic(6photos)
EducationalConditions
DepartmentsandMajors
Asof2014OnJune27,theCentralConservatoryofMusichad18teachingunits.Thereare51recruitmentdirectionsforthreemajors.
Teachingunitandrecruitmentdirection
PianoDepartment | Piano,accordion,electronicpipeorgan |
DepartmentofMusicology | Musicology,ArtManagement |
CompositionDepartment | Solfeggio,eartraining,composition |
ConductingDepartment | Conducting |
VocalOperaDepartment p> | VocalOpera |
Orchestralsystem | Orchestra,classicalguitar |
Folkmusicdepartment p> | Guqin,Zheng,Pipa,Sanxian,Liuqin,Yangqin,Jinghou,Zhongruan,Erhu,Banhu,BassStrings,Flute,Pipe,Sheng,Suona,Percussion |
MusicEducationDepartment | MusicEducation |
MusicTechnologyDepartment | Electronicmusiccomposition,electronicmusicproduction,musicrecording,musictherapy,violinproduction |
MinistryofBasicEducation | —————————————————————————— |
IdeologicalandPoliticalTheoryCourseTeachingandResearchDepartment | —————————————————————————— |
MusicEducationInstitute | —————————————————————————— |
BandAcademy | —————————————————————————— |
ConfuciusInstituteforMusic | —————————————————————————— |
ModernDistanceEducationInstitute | —————————————————————————— |
ContinuingEducationInstitute | —————————————————————————— |
PsychologicalCounselingCenter(teachingpart) | ———————————————————————— |
ModernElectronicMusicCenter(teachingpart) | —————————————————————————— |
DisciplinaryConstruction
TheCentralConservatoryofMusicisthefirstbatchofdoctoraldegreeawardingunitsinuniversitiesacrossthecountry.AsofJune27,2014,thecollegehas1first-leveldisciplinedoctoralauthorizationsite,1first-leveldisciplinemaster'sprogram,1postdoctoralmobilestation,and1nationalkeydiscipline(covering2second-levelnationalkeydisciplines).
First-leveldisciplinedoctoralauthorizationpoint:Musicology
First-leveldisciplinemasterauthorizationpoint:Musicology
PostdoctoralMobileStation:ArtResearchMobileStation
Teachers
In2015,theschool’sofficialwebsiteshowedthatthetotalnumberofteachersinthecollegewas359.Amongthem,47aredoctoraltutorsand166aremastertutors;thereare281full-timeteachers,including85professorsand86associateprofessors,accountingfor60%ofthetotalnumberoffull-timeteachers.Thereare3municipalexcellentteachingteams.
Beijing-levelexcellentteachingteam
Compositionteachingteam | TangJianping | 2008 |
Musicologyteachingteam | WangCiyan | 2008 |
ChinaModernElectronicMusicTeachingTeam | ZhangXiaofu | 2010 |
Teachingconstruction
ThecollegehastheMinistryofSocialMusicEducationandtheSocialMusicExaminationCommitteeathomeandabroad,aswellastheCentralConservatoryofMusicPressandUniversalAudioandVideoPublishinghouse.In2005,theOrchestraAcademy,thefirstorganizationinAsiatocultivateandtrainbandperformancetalents,wasfounded.Therearealsosocialmusicexaminationcommitteesathomeandabroad,andthe"NationalMusicGradeExamination"isjointlylaunchedwiththeexaminationcenteroftheMinistryofEducation.
QualityEngineering
Asof2012,thecollegehas10nationalqualitycourses.6Beijing-levelhigh-qualitycourses,1"high-qualityvideoopencourse";2national-levelcharacteristicmajors,2innovativeexperimentalareasfortalenttrainingmodeloftheMinistryofEducation,1national-levelexperimentalteachingdemonstrationcenter,andBeijingexperimentalteachingdemonstration2inthecenter.
Nationalspecialty:Musicology,MusicPerformance
NationalExperimentalTeachingDemonstrationCenter:OrchestraDepartment
ExperimentalTeachingDemonstrationCenterofBeijingCollegesandUniversities:OrchestraDepartmentandOrchestraCollege,MusicEducationDepartment
TheMinistryofEducationTalentTrainingModelInnovationExperimentalZone:WesternMusicHistoryTeachingandResearchTalentTrainingModelInnovationExperimentalArea,DigitalSolfeggioandEarTrainingPublicTeachingSystemExperimentalArea
NationalExcellentCourses:WesternMusicGenresandMasterpieces,20thCenturyWestMusic,AncientChineseMusicHistory,ModernChineseMusicHistory,BasicIssuesofMusicAesthetics,WesternMusicHistory,WorkAnalysis,MusicPerformanceAesthetics,WorldFolkMusic,ChineseTraditionalInstrumentalMusic
Beijing-levelboutiquecourses：Workanalysis,worldfolkmusic,Chinesetraditionalinstrumentalmusic,musicperformanceaesthetics,musicalstyleandworkanalysis,Westernmusichistory
TeachingAchievements
Accordingtoincompletestatistics,asof2012,thecollegehaswonatotalof3,219awardsathomeandabroad,including2,485domesticawards(779goldawards),international734winners(250goldmedals),includinggoldandsilverawardsinthefamousTchaikovskyInternationalMusicCompetition.
DepartmentofMusicology | TeachersandResearchers | YangMinkang | 2012 | The6thUniversityScientificResearchOutstandingAchievementAward(HumanitiesandSocialSciences)BookAward | ThirdPrize | Indigenizationandmodernity:YunnanminorityChristians Researchonreligiousritualmusic |
Exchangeandcooperation
Everyyear,thecollegeinvitesmanyfamousforeignmusiciansandscholarstogivelecturesorteachatthecollege,andalsosendsteachersandstudentsabroadtostudy,lectureandperforminaplannedway.Hireinternationallyrenownedmusiciansashonoraryprofessorsorguestprofessors,includingcomposersPandretzky,Schadlin,Gubertulina,conductorSeijiOzawa,ZubinMehta,Barenboim,andpianistAhShkenazi,Fleischer,Poglerich,violinistsMenuhin,Stern,Perlman,Mutter,Kramer,Vengerov,cellistRostolopovic,YouyouMa,singerssuchasBergonzi,Pavarotti,Domingo,JesseNorman,etc.,theyvisitthehospitalregularlyorirregularlyandholdmasterclasses.
CulturalTradition
SchoolEmblem
Theoverallpatternisa"music"character-reflectingthemeaningofmusic. Theoverallpatternisliketwopeoplenurturingaflowerbud-reflectingthemeaningofeducation. Thepeopleonbothsidesofthepatternarehalfoftheancientsealcharacter"art"-reflectingthemeaningofart. |
Societies
AllSocietiesoftheCentralConservatoryofMusic(2014)
RedCrossAssociation | YoungVolunteersAssociation | RollerSkatingClub |
LiteraturelineKnowingSociety | DrawingHeartSociety | Danceclub |
ONLINEstudio | StreetDanceClub | RockClub |
NingjuClub | BluesClub | MusicLeague |
Currentleader
SecretaryofthePartyCommittee | ZhaoMin |
Dean,DeputySecretaryofthePartyCommittee | YuFeng |
DeputySecretaryofthePartyCommittee,SecretaryoftheDisciplinaryCommittee | LiuChunmei |
DeputyDean | XiaoXuejun,QinWenchen,YuHongmei,KeYang |
DeputySecretaryofthePartyCommittee | MiaoJianhua |
(Note:Theabovecontentsource)
CampusEnvironment
No.43,BaojiaStreet,XichengDistrict,Beijing,theheadquartersoftheCentralConservatoryofMusiccampus.Theuniversitycampusisdividedintotwocampuses,eastandwest,coveringanareaof54446.54squaremeters.Theeastcampusisadjacenttotheheadquarters,coveringanareaof6735.3squaremeters.Theschoolbuildingareaoftheteachingareais87485.33squaremeters,ofwhichtheteachingandadministrativebuildingshave68855.51squaremeters.TheattachedmiddleschoolcampusislocatedinFangqunPark,Fangzhuang,FengtaiDistrict,Beijing.
(Campusscenerypicturematerial)
SteinwayGarden:Thedesignisinspiredbythetreblesymbolinthestaff,andthebird's-eyeviewofthegardenplanisatreblesymbol.Thewesternendofthesymbolisarosegardencomposedofseveralpondsofroses.WhilebecomingthecentralgardenoftheSteinwayGardens,italsoplaystheroleofaroundaboutaroundtheisland.Attheeastendisapool,reflectingtheblueskyandwhiteclouds,andtheskythatimpliesartisticthoughtisendless.Connectingthetwoendsaretwogardenroads,thenorthandthesouth,betweenthetworoadsisarelativelyopenlawn,andontheoutsideisthecharacteristiclandscapeoftheSteinwayGardens---longcypressballandpiano-keyboxwoodhedgerow.Thegardenisplantedwithmorethan30varietiesofplantssuchastallChinesepine,five-corneredmaple,Jiaodongeuonymus,rough,crabapple,woodhydrangea,andcypressball.
ComprehensivePlaza:Coveringanareaof4,500squaremeters,itisthecenteroftheschool.Itsdesignstyleismodernandartistic,andthegranitefragmentationgardenroaddividesthesquareintotwoparts,thenorthandthesouth.Betweenthelawnonthenorthsideandthecomplexisaplantingbelt.
Zhengyuan:Locatedonthenorthsideofthebasketballcourt,asmallsquareispavedwithwoodenslatsinthemiddleofthegarden,paintedwithwalnut-coloredwoodwaxoil.Severalstoneslabsresemblingzithersareplacedaroundthesmallsquare.
Qinyuan:OntheeastsideofthelibraryintheCentralConservatoryofMusic,thereisanopenS-shapedrestspacewithagranitegardenroadinthemiddle,decoratedwithcherryblossomredstonestrips.Thearc-shapedwoodenseatsbuiltaroundtheoriginalancienttreesandpaintedinbeige,theoutlineoftheentirespaceresemblesacello,soitisnamed"QinYuan".
Well-knownalumni
Thewell-knownalumnioftheCentralConservatoryofMusic-ZhaoJiping(10photos)
HuangRizhao,enteredtheCentralConservatoryofMusicin1953,HongKongOneoftheLeJianjipeopleLiuShikun,enteredthepianodepartmentin1957tocontinuestudying
LiuBingyi,graduatedfromthevocalmusicdepartmentin1962,andthenstayedasateacheratschool
LiuYuxi,1962Aftergraduation,hestayedontoteachintheschool
LiShuangjiang,graduatedfromthevocalmusicdepartmentin1963
WuYanze,graduatedfromthevocalmusicdepartmentin1964
JinTielin,graduatedin1964BachelorofVocalMusicDepartment
YinChengzong,graduatedin1965
FamousalumnioftheCentralConservatoryofMusic-JinTielin(10photos)
LuSiqing,enteredtheCentralConservatoryin1977ConservatoryofMusicZhaoJipingenteredtheCompositionDepartmentoftheCentralConservatoryofMusicin1978
TanDun,YeXiaogang,ChenQigang,GuoWenjing,ChenYi,andLiuSuolawereadmittedtotheCompositionDepartmentoftheCentralConservatoryofMusicin1978
Diliber,wasadmittedtotheDepartmentofVocalMusicandOperain1980,andreceivedamaster'sdegreein1987.
GuanMucun,graduatedfromtheDepartmentofVocalMusicin1987
WangFeng,admittedtotheCentralMusicDepartmentin1991Collegeundergraduate,studyingviolinandviola.Inthesameyear,hewonthesecondplaceintheNationalViolinCompetition.
LangLang,enteredtheCentralConservatoryofMusicin1993
Oh,operatingclassmates,thismoduleranawayfromhome::>_
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