Definition
Whatisthevisualsystem?ThevisualdepartmentoriginatedinJapan.Afterseveralyearsofnetworkcommunicationandinternationalexchanges,youngChinesefriendsgraduallylearnedaboutthevisualdepartmentonmajorvideowebsites,blogs,etc.Fromtheperspectiveofliveperformances,JapanesevisualmusicmeansvisuallyCangiveastrongimpact.Ofcourse,itisnotonlyformusic,butthevisualeffectismorethanjustmakeup.Itrequiresboththecontentofthemusicandthemeaningofthelyricstobeexpressedfromthemakeupeffectofitsown.Avisualband'sliveperformance,stageinstallationandlightingeffectsarealsodifferentfromordinarybands.
Todettakoon, että visuaalinen osasto on musiikkiryhmä, joka keskittyy visuaalisiin tehosteisiin. Ulkonäön suhteen sen on oltava uusi ja avantgarde.
ManypeoplethinkthatthevisualdepartmentisanewmusicschoolthatemergedinJapanintheearly1990s.Infact,musicsimilartothevisualdepartmentexistedasearlyasthesixtiesandseventies,likegorgeousrock.Fromatheoreticalbasis,gorgeousrockcanbecalledthepredecessorofthevisualdepartment,becausetheyhavecommoncharacteristics:thickandenchantingmakeup,clothingthatisbeyondordinarypeople’sknowledge,self-consciousness,self-pity,provocativeperformance,andartrelatedtotheschool.Advocate.
Rock
TheearlyEnglishnamewasVisualShock.ItoriginatedinEuropeandAmericainthe1970sandwasdevelopedinJapan.Theconceptofvisualsystem"VR"wasputforwardbythebandX[renamedXJAPANin1992,originallyXfromJapan].TheoriginalwordsarefromthefullnameofX"PsychedelicViolenceCrimeofVisualshock"Coming.Visualrockisproducedonthebasisoftheprogressofthetimes,andpeoplearenolongerlimitedtoauditorysatisfactionandpursuevisualimpact.Thedevelopmentofscienceandtechnology,andthepopularizationoftelevisions,videorecorders,andDVDplayershavealsopromotedthearrivalofvisualimpact.Thevisualdepartmentusescostumesandmakeuptoexpressmusic.Thebandoftendyesdifferenthaircolorsandwearsunusualcostumes.Inthesebands,thereareoftenoneortwomemberswearingfemininecostumes.Fromamusicalpointofview,VISUALROCKistheinheritanceanddevelopmentofEuropeanandAmericanANDROGYNOUS(yinandyangrock),GLITTERROCK(gorgeousrock),andTHEEATER(exaggeratedrock).Forexample,X-JAPANisdeeplyinfluencedbytheexaggeratedrockKISSandband,andSHAZNA’sIZAMmakeupisalsoduetotheworshipofANDROGYNOUS’sBAYGEORYE.RepresentativesofEuropeandAmericainclude"GeorgeBoy"andsoon.Thevisualdepartment(Japanese:ヴィジュアルdepartment)isatypeoforchestradevelopedfromJapaneserock.ThenameVisualDepartmenthasnothingtodowithanymusicgenre.Itisusedtorefertobandswithexaggeratedcostumesandmakeup.InJapan,almostallfansofthevisualdepartmentarecomposedofyounggirls.Inothercountries,thenumberofvisualfansisrelativelysmall,andtheratioofmaletofemaleisroughlythesame.
Japanisthemostfertilesoilforvisualrockandroll.TheJapaneseVisualDepartmentwasestablishedinthelate1980sundertheinfluenceofEuropeanandAmerican"GlamRock"andtheNewWave.ItcanbesaidthattheyhavelearnedtheessenceofEuropeanandAmericanvisualdepartments.Notonlyaretheybolderandmorecharming,butthequalityoftheirmusicisbynomeansthelevelofwisdom,whetheritistheorchestration,arrangement,creativespiritandcommercialoperation,theJapaneseTheyareallbetter.
ThemembersoftheVisualDepartmentusuallyhaveeye-catchingmakeup,exaggeratedhairstyles,andelaboratecostumes.Althoughthevastmajorityofvisualensemblesaremen,theircostumesandmakeupareoftenconsideredfeminine.Costumeelementsareveryattractivetomusicfans.Therearealargenumberofgirlswhowillcosplaytheirfavoriteorchestra,especiallyatconcertsinJapanorattheAmericananimationexhibition.
Koska visuaalinen järjestelmä keskittyyvisuaaliseen tyyliin, on pikemminkin kuin musiikin tyyppi.Useimmat visuaaliset orkesterit seuraavat japanilaista rockia (kuten LUNASEA (Direngrey),popmusiikkikorkearockia (kuten GLAY,Gackt)).Kuitenkin. Industrialrock, SynthPop, punk jne. Ulkopuolelta katsottuna useimmat visuaaliset orkesterit seuraavat tiettyä "rockandroll" -reittiä.
WesternobserverssometimesItwillconfusethevisualdepartmentandtheGothicband,becausethecostumesofthetwoareoccasionallysimilar.However,mostJapaneseGothicfansdonotregardthevisualdepartmentaspartoftheGothic,andbetweenthevisualdepartmentandtheGothicThereisverylittleculturaloverlap,exceptfortheGothicLoriwhoisinfluencedbyGothicculture.
MostoftheriseofthevisualsystemistheXJAPAN.However,whenXbecamefamous,theuseofvisionShockingtoattractthemassesgraduallybecameatrendatthetime;fromthisperspective,Xisnotsomuchtheleaderofthevisualtrend,asitisthattheypresentthemainstreamJapanesepopcultureatthetime.The1990sbandssuchasDieinCries,YueThesea,ZI:KILL,ShaznaandBaiserplusthepreviousbandsBUCK-TICKandX-JAPANcontributedtotheexplosionofthevisualsystem.
Music
VisualmusicismorethanjustItisrockmusic,andthetypesareactuallyverydiverse.Forexample:poprock,heavymetal,gothicrock,classical/baroquemusic,etc.,thereareshadowsofthevisualsystem.VisualbandsarenotinthemainstreaminEuropeandAmerica,althoughtheyaremoreinJapan.Prosperous,butafterattractingtheattentionofmajorrecordcompanies,manyvisualbandsgraduallybrokeawayfromthevisualdepartmentandevolvedintomainstreambands,andthevisualdepartmentbecametheirtoolforgrandstanding.AuthenticvisualmusicshouldbeItistheclosecombinationofcostumesandmusictypes,andtheexaggeratedshapesshouldnotonlyservethemusic,butshouldbeintegrated.InthecurrentHIP-HOP,R&Bmainstreammusicscene,visualenjoymentisjustasign,discoverThebeautyofitsmusicessenceisthemostimportant.
Japanissa
Tausta
Visuaalinen järjestelmä on kaikkialla japanilaisessa musiikkimaailmassa. Harvat mieslaulajat eivät.Näytyvät rohkealta, androgyyniltä visuaaliselta järjestelmältä.
Thereasonisthat,firstofall,Japanhashada"monsterworship"mentalityand"geisha"sinceancienttimes.Thelong-standingNoharthasgiventheJapanesevisualsystemThegorgeousandseductiveinspirationofrockandrollhasitshistoricalrootsinacceptance;secondly,youngpeopleinJapanpursuefreshexcitement,especiallyyoungwomen,whopursuecompetitiveproducts.Theappealofseductivevisualartistsisself-evident.Yu.ImitatingvisualartistscanmakethemthemostdazzlingandcoolestfocusinHarajukuandShibuya;again,thepressureoftheJapaneseisthefirstintheworld,andthepressureoftheyoungergenerationcomesfromschools,families,societyandotheraspects,rockmusicjustItisanidealtoolforthemtoescapeandvent.IntheearlystageofJapan'sdevelopment,thevisualsystemwasdividedintotwocategories:"DemonSchool"and"AestheticSchool".Atpresent,theorientationoftheJapanesevisualsystemrockbandtendstobediversified.
BlackGoldFuneral-2015-HasegawaAyumiJapanVisual Representative (19 kuvaa)
BirthandDevelopment
Now,JapanhasappearedRockbands,especiallyvisualrockbands,areverypopular.Theyexpresstheirviewsonmusicwithexaggeratedmakeupstylesandwildandintensestageperformances.Theconcertisthebestoccasionforthosevisualrockbandstointerprettheirmusicalworld.
Attheendofthe1970s,"GorgeousRock"representedbyDAVIDBOWIEappearedinEuropeandAmerica.Gorgeousrockintroducesvisualelementsintorock,andischaracterizedbygorgeousdressandliveperformance.Intheearly1980s,abandcalledX(renamedX-Japanin1992)appearedinChiba,Japan.TheyinheritedtheheavymetalstyleofEuropeandtheUnitedStatesinthe1980s,andatthesametime,theylearnedfromtheheavymakeupofEuropeanandAmericanrockanddevelopeditintoauniquestylingaestheticalongwiththenationalcharacterofJapan.Fromthenon,the"visualsystem"wasborn.Afterthat,thevisualdepartmentgraduallydevelopedandexpandedinJapan,andthegenreofmusicbecamemoreandmorediversified.TheuniqueaestheticsandunconventionalvisualeffectsofthevisualdepartmentbecameabrightcolorintheJapanesemusicindustry,whichgavetheJapaneserockindustryagreatimpactandwonThefavorofcountlessfans.
LunaSea,MaliceMizer,DirEnGrey...Theemergingvisualbandsnotonlyreachahighlevelofmusicality,buttheyalsointegratetheirownpersonalityintotheshapeanddress,showingadeepconceptbeyondthescopeofmusic.ThismakesthevisualdepartmentoccupyanunshakablepositionintheJapanesemusicindustry.Alsointheearly1980s,EuropeandtheUnitedStatesalsodirectedthevisualcostumesin"GorgeousRock"toanotheraspect,appearingingrotesqueandeventerrifyinganddisgustingshapes.VisualrockrepresentedbyKISS,ALICECOOPER,MARILYNMANSON,SLIPKNOT,etc.havebeendevelopedsuccessively,andlateritwasalsocalledshockrock.
Currently,themusicalorientationoftheJapanesevisualsystemrockbandis:X-JAPANandLUNASEAarerepresentativesofheavymetal,andGLAY’sstyleismorePOP.ItcanbesaidthattheyhavelearnedtheessenceofthebigbrothersinEuropeandAmerica.Notonlyisthemakeupandpaintingmorebold,gorgeous,charming,andcoquettish,butthequalityofmusicisbynomeansthelevelofwisdom.ComparedwithsomedomesticROCKs,Japanhasahigherlevelofskillsintermsoforchestration,arrangement,creativespiritandcommercialoperation.
Ominaisuudet
Underground-indien aikana visuaaliset rock-rullat ovat yleensä rohkeampia bändejä ja heidän musiikkinsa on filosofisempaa. Mainstreamiin tultuaan heidän asunsa ja musiikinsa ovat alkaneet olla suosittuja.
Visualrockandroll ei erityisesti viittaa musiikin muotoon, kuten musiikkisubstantiiviin, kuten "R&B" ja "Punk", ja sen musiikkimuodot ovat erilaisia. Siksi se luokitellaan yhtyeen päämusiikin mukaan.Esimerkki:
PopSugarMusic:Shazna
PopRock:Glay
IndustrialRock:Zlich,MACHINE
HeavyMetalRock:X/XJapan,sexMACHINEGUNS,theGazettE.
GothicRock:MadethGray''ll,Direngrey,moi-dix-mois,MEJIBRAY
p>Klassinen/barokerock: MaliceMizer, LAREINE
On olemassa myös japanilaisia bändejä, kuten: Raphael, Kagrra, Jilong, Onmyoji (heavymetal)
Samaan aikaan Aband on myös yhteensopiva useiden musiikkimuotojen kanssa, jopa rock ja klassinen esiintyy rinnakkain (kuten XJapan) ja METALandgoth (suchasmoi-dix-mois)
ManybandsThecharacteristicsof”arenotonlyexpressedinmusic,butcoverallkindsofcostumes,behaviors,lyrics,performancestyles,etc.;therefore,Japaneselocalsdistinguishthembythe××system:suchasthebasementsystem,thedarkvisualsystem,andthesoftsystem(SoftVisualDepartment).Takethebasementdepartmentasanexample.Thiskindofvisualrockbandhasathickerdisguise,mostlyblackandwhite;thesongshaveanurseryrhymeflavor,andthelyricsmainlyexpressfeelings,death,andloneliness;musicalskillsvaryfrombandtoband.Therearealsoregionallyclassified,suchastheOsakaschool,Sendaischool,Nagoyaschool,andKyushuschool;butunexpectedly,althoughtherearemanybandsestablishedinTokyo,veryfewbandsareallnativetoTokyo.Andspeakingofbands,manybandswereborninOkinawaandotherplaces,butmostoftheirdevelopmentisinTokyo.
X-JAPAN
X-JAPANvisuaalisen järjestelmän alullepanija,syvällä mallinnuksella ja musiikilla.KiSS vaikutti. Alun perin vuonna 1978, TOSHI ja YOSHIKI,hyväystäväpari, olivat muodostaneet NOISE-yhtyeen,joka esiintyi9KULTTUURINKULTTUURIN1JÄKOULUTUKSEN2JÄLKEEN. ALja HARDROCK olivat juuri lentäneet Japaniin, he muodostivat japanilaisen kaistan. Ensimmäinen HM/HD-kaista oli X-JAPAN-X:n edeltäjä. Itse asiassaBandXin koko nimi "Psychedelic Violence CrimeofVisualShock". Se tarkoittaa, ettänimi oli Toshin puoli. Yoshiki ei pitänyt siitä kovinkaan paljon ensin. TOSHI on laulaja (laulu) ja YOSHIKI on rumpali (rummut).
Lukiosta valmistuttuaan Yoshiki jaToshiki lähti kotikaupungistaan Tokioon ja alkoi työskennellä lujasti musiikillisten ideaaliensa eteen.Ensimmäisen testaamisen jälkeen joukkueen jäsenet olivat erittäin epävakaita.YOJI(Kitara),TOMO(Kitara) KItuetti sitä. Helmikuuhun 1985 asti he julkaisivat vihdoin tuottaman ensimmäisen singlen (SINGLE)"I'LLKILLYOU" (DADARecords)(indie).Odotettu1, 000 kappaletta myytiin loppuun, mikä osoitti suurta rohkaisua.Xjulkaistiin toiset YKSI"ORGRAMS"(ExtasyRecords)(indie)huhtikuussa 1986.
Helmikuussa 1987 TAIJI(BASS),PATA(GUITAR)ja HIDE(GUITAR)liittyi,X,joka on ollut vaihtanut pelaajaa pitkään, perusti vihdoinkiinteän sarjan Toshi,Taiji,Pata,hide&Yoshiki.
Helmikuussa 1985 he julkaisivat vihdoin ensimmäisen sinkkunsa(SINGLE)"I'LLKILLYOU"(DADARecords)(indie).Helmikuussa 1987 TAIJI(BASS),PATA(GUITAR)ja HIDE(GUITAR)liittyivät,pitkäaikaiseen vaihtoon kiinteä valikoima Toshi, Taiji, Pata,piilota& Yoshiki.14. huhtikuuta 1988 X:n ensimmäinen ennätys "VanishingVision" julkaistiin, ja se sijoittui ensimmäiseksi Indie-ennätyslistalla.
5., 6. ja 7. tammikuuta 1992, siitä tuliensimmäinenbändiTokyoDomessa kolmena peräkkäisenä päivänä.Tammikuun 31. päivänä, juuri kunXnousi,BASSplayerTAIJJi Musiikki jauusi basistiHeathliittyi.Samaan aikaan,koskaYhdysvallat on jo hylännyt saman nimen, se nimettiin virallisesti uudelleen X-Japaniksi. Tuloksena X-JAPANin jäsenet vakiintuivat seuraavasti:VocalTOSHI,Rummut &PianoYOSHIKIH,Guitar .
JustasX-JAPAN saavutti huippunsa 22. huhtikuuta 1997, laulajaTOSI ehdotettiin vetäytymään eri musiikillisen suuntauksen vuoksi. Syyskuun 22. päivänä hän muodollisesti lähti X-JAPANista, 17-vuotias X(X-JAPAN) purettiin.
At8:52AMonMay2,1998,HIDE,formerlyknownasHidetoMatsumoto,diedunexpectedlyathomeattheageof34.ThelasthopeofX-JAPAN’slegendary2000reorganizationplanwasalsoshattered.Hisdeathhasbeenamysterysofar.Suicidesduetofollowinghidehaveoccurredcontinuouslyforseveraldays.ItwasheldatHonganjiTempleonMay7th.Duringthefuneral,50,000fansfromalloverthecountrygathered.Thefuneralprocessionwasmorethantwokilometerslong,and197peoplecollapsedfromanemiaandpassedouttothehospitalonthehottestdayoftheyear.TheTokyoFireDepartmentstatedthat“exceptforaccidents.Besides,forthefirsttimesomanypeoplefainted",verysurprisedhide'shugeinfluence.
Thetrough
AsearlyasthedissolutionofXJapanin1997,thereweresignsofinstabilityintherocksceneoftheJapanesevisualsystem:Lunaseamemberstemporarilyflewsolo,andrainbowmembersweresuspectedofanawakeningagentcaseTemporarilystopactivities,etc.However,asLunaseaandtherainbowcametoaclimax,Glaybecamepopular,andnewforcesemergedinanendlessstream.Theflourishingageofvisualrockcontinuedtotheendofthecentury.However,inthe21stcentury,withtheR&Bboomsweepingtheworld,newandoldbandshavebeendisbanded,andthevisualrocksceneisgone.
AfterX-Japan,thesoulofvisualrockandroll,wasdisbandedonSeptember22,1997,Hide,thefirstguitaristintheteam,diedathomeonMay2,1998.Sincethen,thevisualrockcamphasbeenturbulent,andtheRainbowBandpubliclyannounceditsrefusaltobecalledthevisualdepartment.Attheendof2000,theLunaSeafinale,sofarthethreemajorvisualbandshaveceasedtoexist.EventherestofthevisualsystemrockstarGlayclaimedinBeijingthat"neutraldressingisindeedclosetothevisualsystem,butthiskindofdressingisnotmeanttobeclosetoacertaingroup",theimplicationisself-evident.Otherbandsarealsoinpoorconditions:MaliceMizer'sleadsingerGacktretiredin1999,anddrummerKamidiedofcerebralhemorrhage.Althoughheonceformedagroupagain,hefinallywentsoloin2001.Heimeng,whodebutedatthesametimeasXJapan,experiencedtwopeople.Duringtheband,finallyannouncedanindefiniterest.Emergingbandsarealsounpredictable:intheRaphaelteamthatjustboardedtheBudokan,Huayuefudiedofexcessivesedatives;D-shadewasdisbanded,Lareinememberswithdrewoneafteranother,anddue’leqrartz,whichwasfavoredbythemedia,wasalsodisbandedin2002.Sofar,themainbandofvisualrockandrollhasbeenmutilated.AlthoughDir-en-greyandothersarestillactive,theentirevisualsystemisobviouslynotasbraveasitusedtobe.
Afterenteringthe21stcentury,thesalesofvisualbandshavedroppedsignificantly.In2001,evenGlay's"OneLove"soldfarlessthanonemillion;by2003,thesalesofvisualalbumsbecamemoreandmorebleak,withamaximumof30Tenthousandalbums(thehighestisGlay'scollection,24and250,000respectively),mostofthealbumssoldintothetop30oftheyear.Ifthingsgoonlikethis,itisestimatedthatthevisualrockmarketwillcontinuetoshrink,andbandcompanieswillfacedifficulties.Nowasthebandsaredisbandedoneafteranother,theofficialfanclubshaveceasedoneafteranother,professionalTVshowshaveceased,andmanymagazineshaveceasedpublication.Thisisnotthesorrowofthevisualdepartment.
Variousformsofmusicintheworldareupanddown.Thetrendofvisualrockandrollhasitsownshortcomings.Itisalsoaffectedbytheglobalmusicclimate,andhasmorecommercialandeconomiceffects.Thereasonsarecomplicated.ThefollowingareArticlesareonlypersonalopinions.
◆1)Maailmanlaajuinen musiikkityyli ei ole hyvä rokkrollin kehittämiseen.
Lookingattheworld,alloftheUnitedStatesisinRap,andallofAsiaisinR&B;thetwomajormusicplayersinChinaareJayChouandTaoZhe.ThesingerofR&B;thesameistrueinJapan,whereR&Bispopular.Youngpeoplearechasingfashion,andtheyhavealsochangedtheirdoorstostayawayfromrockandroll.ThisisthesimplestreasonwhyJapanesevisualrockhasenteredatrough:itisforcedbythemusictrend.
◆2)Japanin musiikkitalous on hidasta
FromthepointofviewoftheentireJapanesemusicindustry,itisfacingaverydownturn.Theproductionvolumeofrecordshasbeendecliningyearbyyearsince1999.Morethan100billionyen(Yen,2002data),youngpeoplenotonlyspendlesstimelisteningtomusic,butalsospendless.Thepopularityofonlinemusicdownloadshashitthemusicindustryworldwide.
Inrecentyears,thenumberofnewdebutshasdroppedsharply,with128groupsin2001and510groupsin1991.Thedebutofarockbandisevenmoredifficult.IntheIndiesera,itispossibletoattracttheattentionofmainstreamrecordcompanieswithmorethan10,000records.Thisledtothedystociaofthenewforceofvisualrockandroll.
Atthesametime,thenumberofcreativemusicianswhocannotsellalbumshasalsoincreased.Fortheirownsafety,recordcompaniesgiveprioritytoreleasingalbumsthatsellwell.Rockbandsneedmoretimeandexpensethanordinarysingers,andthetimetogainincomefromthemisseveraltimesthatofidolsingers.Today’spopularoroncebrilliantvisualrockbands,noneofthemhavegonethroughtheundergroundstageofyearsofhardship,orevenstarvedtoreleaseanalbum;evenaftertheirdebut,thereisnoexampleofsellingimmediately,onlyacounterexample:Glaylasted3years;Rainbowtakesatleast2years;LunaSeahasbeenhoveringbetweencommercialinterestsandmusicalideasfrombeginningtoend,andthereisnooutstandingachievement.Therefore,ontheonehand,recordcompaniesarereluctanttoreleasefilmsforrockbandseasily;ontheotherhand,somevisualrockbandshaveabandonedtheirmusicalideasafterenteringthemainstream.ThishascausedmanyexcellentrockbandstoseekhelpfromIndiesinsteadofthepast,whichaffectstheproductionandqualityofvisualrockmusicalbumstoacertainextent.
◆3)Osa visuaalisesta järjestelmästä poikkeaa musiikin olemuksesta
Afterthevisualsystemisonthemainstreamstage,someoftheband'sgenresseemtograduallymovetowardsthemainstream,abandoningtheinitialvisionintheshapeShock,andthemainpurposeistoattractfans.Overtime,themediaandthepublichavehadthewrongimpressionthatthevisualsystemistheneutraldressingandamazingmakeup,ignoringthatthedressistheshapeandmusicisthegodoftherockband.Theperformanceoftheunderachieversalsomakespeoplefeelthattheircreativityisgraduallywithering.Whetherinmusicorinstyle,theycontinuetoseetheshadowofthepredecessorsintheirbodies,andtherearenotmanyself-establishedandirreplaceablestyles.Undertheover-packagingofcommercialization,theorchestra,whichwassupposedtocreatemusicastheprimarytask,hasgraduallybecomeacommoditysimilartotheidolgroup,andeventhevisualband∧uciferwithpackaginghasappeared.Asaresult,thevisualsystem,whichwasoriginallyacategoricaltermforrockmusic,begantoshake,anditalsochangedtothemeaningof"winningbyappearance",andgraduallyblurredthevisualsystem'scharacteristicsof"combiningvisualexpressionwithmusic."Somemusicfansalsoignoretheperformanceofmusicandjudgepeoplebasedontheirappearances.Theyareobsessedwithrockmusiciansasiftheyareyoungidols,causingdistortionofthevisualmeaning.
Visualrockmusicisnotagenreestablishedinmusicalstyle,soitwillnotbeinheritedinmusicalstyle."Thecombinationofvisualperformanceandmusic"isthemostimportantkeyforavisualrockband.Ihopethatemergingbandscanworkhardinbothvisualmusicandbecomeabandwithbothgodsandforms.
Injusttwodecades,Japanhasformedavisualrockculture.Althoughtherearecommercialhypefactors,thecharmofthevisualsystemitselfhasplayedamoreimportantrole.Althoughtoday'strendgoesawayfromvisualrock,thelatterhasadeepfoundationinundergroundbandsinJapan,anditdoesn'tfadeawayovernight.Ifoneortwobrilliantbandsstandoutfromthecrowdandleadtheentiremusicscene,visualrockwillbeabletoachievegreaterbrilliance.
LikethesongofHIDEthatyouwillhearattheend,perhaps,thereisnoabsoluteendintheworld,theendjustheraldsanotherroundofnewbeginnings——
Klassiset kaistatja uudet voimat
Infact,manyoftheclassicbandshaveuniquestyles.However,intheearlystagesofdevelopment,therearestillafewbigbandsthatareunforgettable.
1,X-Japani edellä
2,Glaymainittu alla
3,ja lunasea,yksityinen suhde X-Japanisin kanssa on myös erittäin hyvä.
4.ThereisalsoLarc-en-ciel,butbecauseofthedownturninthevisualsystem,mostpeoplethinkThevisualdepartmentonlyhasappearanceanddoesnotpayattentiontotheconnotationofmusic,soithasalreadyissuedastatementthattheyarenotvisualdepartment!
Thefollowingisasummaryoftheclassicmainforceandthenewforce.Ofcourse,indiesaregood,butthosewhoneedmoretimetolearnandcomparetofindtheirfavoriteband!Becauseitisdifficulttotunein,andeveryone'stastesareinconsistent.
1,X-JAPAN
Pääjäsenet: laulaja——Toshi;rumpali——Yoshiki(kapteeniX,whoalsoplayspiano);kitara——Hide,Pata;basso——TaijiinXperiod,heathinXJapanperiod.
Pääteokset: "Punainen", "EndlessRain", "Foreverlove" jne.
2.LUNASEALunaseaisalsooneofthethreemajorgroupsintheJapanesevisualdepartment.Itwasdiscoveredbyextasyrecords.Itisknownforitsstrongmakeupandcoquettishimage.Atthattime,itwasagroupofHARDROCKbandwithastrongsenseofdarkness.Formallyestablishedasamemberin1989,hewasactiveintheundergroundmusicsceneunderthename"LUNACY"atthattime.Hemadehisdebutwith"IMAGE"in1992,temporarilysuspendedthegroupin1997,andannouncedthe"final"in2001.Becauseofhisexcellentlivesingingabilityandtheperfectcombinationofbeautifulmelodyandfrenziedrhythminmusic,itishailedas"anorchestrathatcannotbecopiedbyotherorchestrasandhasnosemicolon."
AfterthebandmembersRyuichiKawamura,Sugizoandotherscontinuetodeveloptheirpersonalworks.
OnDecember24,2007,LUNASEAcamebackwitharesurrectionnightconcert.50,000ticketswererobbedwithin5minutes,whichshowsthattheappealisstillstrong.
Mainmembers:leadsinger-RyuichiKawamura(Ryuichi);guitar-Inoran(InoueKiyoshinobu);guitar(violin)-Sugizo(SugiharaYasuhiro);bass-J(OnoseJun);Drum-Shinya.
Pääteokset:"STORM","Rosier","TRUEBLEU","ENDOFSORROW","Iforyou".
3.Glayisnowarockmusictycoon,Japan's"nationalband",whohascreatedahistoricalrecordof4.87millionsinglealbumsalesandthefirstof200,000concerts.Inaddition,GlayisalsoveryconcernedabouttheChinesemarket:releasingalbumsforChina,shootingcommercialsinShanghai,andholding10,000-personconcertsinBeijing.Thebandformallytookshapein1990,andrecordeditsfirstalbumunderYoshiki'ssupervisionin1993.Itenteredthemainstreammusicscenein1994andhasdevelopedsmoothlysincethen.In1997,thecollectionof"Review"sold4.87millioncopiesandGlaybecamethemainstreaminJapan.Bigbrotherintherockindustry.Thefourmembersofthebandaretheleadsinger,guitar,andbass;thedrummerissupportedbyforeignaid.Glay'ssongscoverawiderange,involvingfamilyaffection,friendship,andlove.Therearealsosongstoinspirethepeople,and"WinterAgain"whichmisseshometown.Todaywhenrockisnolongerthecourageofthepast,Glaystillstickstohisownphilosophyandcontinuestocreatemusic.
Mainmembers:leadsinger-Teru;guitar-Hisashi,Takuro;bass-Jiro.
Pääteokset: "Rakastettu", "Huuli", "Talvi jälleen", "Kiusaus" jne.
4,Alicenine/theGazettE(ガゼット)
Anewband.TheyaretwoofthemostpopularbeautygroupsinJapan.GazettEdebutedsoon,andformallyformedinearly2002.Butitisalsoarelativelypowerfulband.
Alicenine'sgenreismorepopularrock.TheGazettEisbiasedtowardsheavymetals(ithasnowchangeditsstyletonewmetals).ButitstillhasaGothicatmosphere.
Pääteokset: "NEMESIS", "Rainbows", "Crossgame", "MirrorBall", "Nine Heads (NINEHEADSRODEOShow)", "Kevät, kesä, syksy ja talvi" (Alicenine)
Chizuru""Cassis""filthinthebeauty""LEECH""RedLotus""SHIVER"(Kuroshitsuji2OP)"PLEDGE"(GazettE)
5、Nightmare(ナイトメア)
FormedinSendaiin2000,referredtoasMia.FormerlyNIPPONCROWNCO,movedtoVAPin2006andnowbelongstotherecordcompanyVAP.
Bändin jäsenet: laulu——YOMI(ヨミ,Huangquan);kitara——hitsugi;kitara——咲人(sakito);
Bass——Ni～ya(ニーヤ,Shinya);Drum——RUKA(Ruka,瑠华)
Mainworks:"TokyoInjuryYear","theWORLD"(DeathNoteOP),"DIRTY","SnowBurial","LostinBlue"(魍魉之箱OP),"レゾンデートル",etc.
6.Ya-Miyavi
Ibelievethatmanypeopleknowthathisstyleischangeable,andmanynewelementshavebeenaddedtothemusic,whichreallymakeshismusicdifferentfromeachother.Hisvisualsystemisnotverysimilar.Hisstyleisquitedifferentfromwhenhefirstdebuted,butheisstillhim,theonewholovesmusicandcreatestirelessly!Althoughthestylechangehasreceivedmixedpraiseandcriticism,itisalwaysdifficulttotune.Wejusttreatthemusicasitis,andhopethathecancreatemoregoodmusic.
7. Muut kaistat
Today'soutstandingbandsintheJapanesevisualdepartmentincludePierrot,JanneDaArc,PsycholeCemu,etc.,amongwhichDirengreyisundoubtedlythemostoutstandingrepresentative.Direngrey'spredecessorwasLa:Sadie's.DirengreywasformallyestablishedinFebruary1997anddebutedin1999.Direngreyhasbeenverypopularsinceitwasformed,sothatsingle"I'll"wasreleasedinAugust1998,althoughitwasthereleaseofindies,itwasrankedseventhontheoriconsingleschart.ItisworthmentioningthatLunaSeaandDirengreybothperformedinShanghaiin1999andApril2002respectively.
Julkkikset
·GLAYのHisashi
Syntymäpäivä 2. helmikuuta 1972
BorninHokkaido,HakodateCity
Jatka:
GLAYのHisashi~OurHisashi
Hisashi syntyi Aomorin prefektuurissa Hokkaidossa. Hänen isänsä on kirurgi, hänen äitinsä on kotiäiti, ja hänellä on vuotta vanhempi veli.
AlthoughAomoriPrefectureisasmallandconservativetown,thehumantouchthereisverystrong,andeveryonerespectsandloveseachotherlikeafamily.Parentsfromothervillageseducatethetwochildreninaverydemocraticandfreeway.Forexample,manyparentswillforcetheirchildrentobegoodatacademicsorlearnaskill,butHISASHI'sparentsgivetheirchildrentherighttofreedomandencouragethemtodowhattheywant.Hischildhoodlifeisverycomfortable.
HisashimovedtoHakodatewithhisfamilywhenhewasfouryearsold,whichisthehometownofSotomura'sfather.Inthebeginning,HISASHIwasunacceptabletoanyoneandanythinginHakodate.Healwaysfeltthathisteachersandclassmatestargetedhim.Therefore,HISASHIcouldnotfitintotheclass,orherefusedtofitintothisplace.Notonlydidhehavenofriends,healsofelltothebottomofhispreviousgoodgrades.Buthisparentsdidn'tscoldhim.Theyonlyaskedhimifhewantedtoattendacramschool.Hisashireadilyagreed.HISASHIdiscoveredthatthecramschoolturnedouttobeagatheringplaceforbadkids,notaplacewherepeoplegethighmarks,soheoftenskippedclasses.LaterHISASHIdiscoveredthatthebadkidsintheeyesofotherswereallgoodpeople.Theyallhadaverystrongpersonaltouch.GraduallytheybecamefriendswiththemandbegantohaveagoodimpressionofHakodate.
·TERU
TERU’shometownisinKikyo-cho,HakodateCity,alongNationalHighway5towardsOnuma,LeftoutsideJRKikyoStation.Fromtheageof1-4,LittleTERUlivedabout7kilometerssouthwestofthecenterofHakodateandnorthofMountHakodate.Notonlycanyoulookatthecemeteryofforeigners,youcanalsowatchtheshipsthatneverstoparoundtheclock,andspendthedayssurroundedbytideseveryday.WalkalongtheouterseaofHakodateBayforabout10minutestoreachtheforeigncemetery.ThespecialrocksalongtheroadareoneoftheuniquecoastlinesofHokkaido.Thereis"XuejianBeach"here.Onthefrontofthebath,LittleTERU'saunt'shouselivesinthatarea."Teruwillcomeheretoplayinthesummer,"saidXiaoqiao'saunt.Theseaareaaroundthebathingbeachislistedasa"fisheryprohibitedzone",whichissimilartoaprotectedarea.But,littleTERUdoesn'tcareaboutsomuch,catchingfishandgrillingit!Thewavesherearequitecalmandstable,andLittleTERUhasspentalongtimehere.Intheautumn,youcanseethefaintfishingfirehere,coupledwiththerelationshipbetweentheseasons,theentireseaareabecomesverybeautiful.
·TAKURO
TAKURO’sfatherpassedawayinatrafficaccidentwhenhewasthreeyearsold,andhismotherfirmlyshoulderedtheburdenofraisingtwochildren.Inordertomakealiving,themothermustworkovertimeeverydayandcannotgotothekindergartentopickupTAKUhomeontime.TAKUdoesnotunderstandthisverymuch!(Howcanathree-year-oldchildunderstandthepressureoftakingcareofthefamily?)SoTAKUaskedhismothertopickhimupfromschoolearlieronmorethanoneoccasion.TAKU'smothercertainlyunderstandshismood,butthereisnowaytodoit.Overtime,TAKUdevelopedaproblem.Hisstomachhurtseverymorningwhenit'stimetowakeup,andithurtseveryday.Thisisaphysiologicalchangecausedbypsychologicalrejection.Thisphenomenonwillonlygetbetterifsomeonepickshimupthatday.Therefore,TAKU'schildhoodmemoriesareunforgettableandpainful.AlthoughTAKUgrewupinasinglefamilyanddidnothaveahappychildhood,heisstrongerandmoresensiblethanordinarychildren.
TAKUn äiti tykkää laulamisesta kovasti. Hän sanoi TAKU:lle:"Laulaminen motivoi itseäsi!"Tämä antoi TAKU-ajatuksen: "Minun täytyy työskennellä kovemmin luodakseni sellaisia kappaleita". Jalkapalloklubi ja myöhemmin muodostettu "Guest-apo". Bändi hajosi yliopiston aikana ja muodosti "Instant"-yhtyeen"Year3 JudicialParty" ja myöhemmin muotoiltu "GLAY" .
·JIRO
JIROsyntyi kuuden hengen perheeseen,vanhempien,kolmivuotiaan siskon,jakolmivuotiaan sisaren,nelivvuotiaan siskonjaJIRO.JIROn isä on yksityinen puuseppäpomo,ja hänen äitinsä on asiallinen ja sydämellinen nainen.
Therulesathomehavealwaysbeenverystrict,andJIROsaidhewasaverygoodboy.JIROtakescareoftheyoungersisterswhentheirparentsgoouttowork.Iftheyviolatethehouserules,theywillbeseverelypunished,whichcannotbejustified.LittleJIROhasalwayswantedtowatchcartoons,buttheTVisalwaysdominatedbyhisfather.Whenthestudentstalkedaboutcartoonshappilytogether,Jiroalwaysfeltverywronged.Asaresult,myfather’sfavoritesumohasbecomeJIRO’smosthatedshow!
Postscript
MaybethevisionoftheVisualOrchestraisnotoptimistic,butitmusthaveitsownvalue..Perhapsinordernottodisappointmanyfans,orforotherreasons,anexpectedbandappeared.Themembersare:visualprinceGACKT,theoriginalX-JAPANsoulYOSHIKI,theoriginalLUNASEAguitaristSUGIZO,andthenewgenerationrepresentativeMIYAVI-yawhoannouncedonthe28thtojointhenewgenerationrepresentative.TheirjoiningmadethebandnameofficiallynamedSKIN!!!!
TheVisualDepartment(Japanese:Template:Lang,Template:Lang,fromEnglishVisual,thatis,"visuallyrelated")isatypeoforchestradevelopedfromJapaneserock.ThenameVisualDepartmenthasnothingtodowithanymusicgenre.Itisusedtorefertobandswithexaggeratedcostumesandmakeup.InJapan,almostallfansofthevisualdepartmentarecomposedofyounggirls.Inothercountries,thenumberofvisualfansisrelativelysmall,andtheratioofmaletofemaleisroughlythesame.
ThemembersoftheVisualDepartmentusuallyhaveeye-catchingmakeup,exaggeratedhairstyles,andelaboratecostumes.Althoughthevastmajorityofvisualensemblesaremen,theircostumesandmakeupareoftenconsideredfeminine.Costumeelementsareveryattractivetomusicfans.Therearealargenumberofgirlswhowillcosplaytheirfavoriteorchestra,especiallyatconcertsinJapanorattheAmericananimationexhibition.
Koska visuaalinen järjestelmä keskittyyvisuaaliseen tyyliin, on pikemminkin chest kuin musiikin tyyppi. Useimmat visuaaliset orkesterit seuraavat japanilaista rockia (kuten LUNASEA, Direngrey), popmusiikkia tai kevytrockia (kuten GLAYs, Rainbow(L'Arc-en-Ciel) alhainenheavymetal-, teollisuusrock-, synthpop-, punk- jne.musiikkilinja.Suuressa mittakaavassa useimmat visuaalisen järjestelmän orkesterit noudattavat tiettyä "rockmusiikin" reittiä.
WesternobserverssometimesconfusetheVisualDepartmentandtheGothicOrchestrabecausethecostumesofthetwoareoccasionallysimilar.However,mostJapaneseGothicfansdonotregardtheVisualDepartmentaspartoftheGothic,andthevisualThereisverylittleculturaloverlapbetweenGothicandGothic,exceptforGothicLoriwhoisinfluencedbyGothicculture.
TheriseofthevisualsystemismostlysaidtohaveoriginatedinXJAPAN.However,inXAtthetimeoffame,theuseofvisualshocktoattractthemassesgraduallybecameatrendatthetime;fromthisperspective,Xisnotsomuchtheleaderofthevisualtrend,asitisthattheypresentthemainstreamJapanesepopcultureatthetime.TheOrchestraofthe1990sForexample,DieinCries,MoonSea,ZI:KILL,ShaznaandBaiserplusthepreviousbandsBUCK-TICKandXJAPANcontributedtotheexplosionofthevisualsystem.
Visuaalisessa järjestelmässä on useita alatyyppejä, mukaan lukien Godelori, EroGuro ja Anguraseries.
Thedifferencebetweenvisualsystemandnon-mainstream"Normalcombination",domesticyoungpeopleblindlyimitatetheclothesandhairstylesthatworshipthevisualdepartment.Atpresent,therearemanynon-mainstreampeopleontheInternet.AfterseeingsomephotosofVRartistbands,theyclaimthattheirpicturesofstrangeclothesare"Visualdepartment".Infact,ithasnothingtodowiththerealvisualdepartment.Itisonlysomeyoungpeoplepursuingdifferentmeans.Thenon-mainstreamisacombinationofblindlyimitatingJapanesevisionandEuropeanandAmericanvision.Itisreferredtoasnon-mainstream.,Mostofthemhavelongcolorfulhair,paintedveryheavymakeup,wearsomeverypersonalizedclothing,andwearstrangejewelry,butmostofthemarestreetvendors.TheyliketotakeselfiesanddosomestrangethingsinfrontofthecamerasintheInternetcafes.Theactionclaimedtobe"agroupoftrend,visual,andnon-mainstream."ButtheyjustblindlypursuetheappearanceoftheJapanesevisualsystemrockband,buttheydon’tknowthetrueconnotationoftheJapanesevisualsystem,inacertainsenseItarousedthepublicoutrageoftheJapanesevisualdepartmentFANS,andhadtoequate"non-mainstream"withbraindamage.Whenthepost-80s,post-90s,andpost-00sgraduallytookcontrolofthesociety,variousideasalsopouredout.ThisisThecognitionofnewthings,butwhenthenon-mainstreamcomesintocontactwiththevisualsystem,theywillalwaysdefinethenon-mainstreamasthebrain-disabledgroup.
Kiinalainen yhtye
Kiinan ensimmäinen visuaalinen bändi hopeapöly.
Silloin oli LiuLiQiangWei ja visuaalinen rockbandLilith Shanghaista. Sen jäseniä ovat: Jinghua(Vo.)Lin(Gu.)Xiuluo(Ba.)楽(Dr.)
ScarletHorizonisKiinan ensimmäinen visuaalinen kuoleman ydinbändi. Ulkomaiset visuaaliset fanit kutsuvat sitä "China's NocturnalBloodlust". Sen jäsenet ovat: Zero(Vo.)CangYue(Gu.)Yao(Gu.)Jue(DBa.)Ami.